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KUT and KUTX news and music podcasts for Austin, Texas and beyond

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Going to SXSW? How to get good tacos and avoid ‘taco traps’

Chances are if you’re going to South By Southwest this year, you’re gonna need to grab a bite on the fly. In this bonus episode of the Tacos of Texas podcast, Mando Rayo gives you the scoop on where to find the best tacos during SXSW and just as importantly, where not to!

Bonus Taco Tip! Bookmark the 2024 SXSW Austin Taco Map before hitting the streets this SouthBy season!

The programming in this bonus episode of the Tacos of Texas podcast was originally aired live on the Texas Standard in March, 2024. 

Still reading? We appreciate you! And as we gear up for season CINCO of the Tacos of Texas podcast, we want to hear from dedicated listeners like you! Please tell us what you want to hear on the show by taking our listener survey at kut.org/tacosurvey

Thank you.

¡Vamos!

Wabi Sabi and the Sweet Littles: “Nile Walk”

Austin’s Sam Hernandez has always seen life through a different prism. Colors, textures, and the planes of reality are subjective and mere suggestions. Influenced by the bubbly music of the 50s and 60s as well as an early penchant for Jim Henson and his muppets, Hernandez writes lovely songs to capture a familiar but not quite tangible plane of existence with the band Wabi Sabi and the Sweet Littles.

As the lore behind Wabi Sabi and the Sweet Littles goes, the band was born from a clever, inspirational gnome Hernandez met on a casual walk to the grocery store. Speaking on the tenants of the ancient Asian aesthetic and philosophy of wabi sabi, relating that art can be incomplete and impermanent. And in that way, Hernandez found freedom.

“Nile Walk” is a fun retro-pop tune full of little, weird gifts, like a flute bringing a flair of whimsy and animal sounds for that altered- Henson-like full effect. It’s weird, it’s fun, it’s joyful, exactly as intended.

“Nile Walk” is the debut track from Wabi Sabi and the Sweet Littles, out now.

Donnel McLohon: “Serenata”

Austin’s Donnel McLohon, founder of the storytelling blog the Austin Bluebonnet, has it down when it comes to great singer-songwriter tunes knotched-up with soft, catchy hooks, but on his debut EP You Were Adored, he held some space to push his boundaries, write on pure instinct, and let the music flow.

That track is “Serenata,” sprung from the vision of “Al Green meets mariachi.” The inspirations shine through with the mariachi instrumentation and groove matched with the smoothed out, slowed-down energy you’d expect from Green. The song never stands still, rather it feels like the song has a life of its own, going where it needs, savoring the moment, and taking its time to feel itself, and in doing so, it feels effortless.

Jane Ellen Bryant: “My Corner of the World”

When I think of Jane Ellen Bryant, the first thing that comes to mind is her vocal tool box. She’s not just a great singer; the control she has over her voice and the tricks she’s able to do with it are show stopping. She’s shows off this mastery in both the dance pop duo Jane Leo and her own solo work.

After the rousing success of Jane Leo, Bryant has returned to her solo work, but she’s brought in partner Daniel Leopold (the other half of Jane Leo) to fully actualize the next chapter of her music. Pivoting from her country pop style to a brooding singer-songwriter tone, “My Corner of the World” is a slow, reflective exercise stemming from her Saturn’s return, that lovely thing that happens around your late twenties where everything you’ve been running from or have known comes to a head and you, hopefully, go through a growth and ego death period where you redefine what’s important in your life, who you are, and who you want to be. I mean, Gwen Stefani wrote an entire No Doubt album about this.

“My Corner of the World” is out now.

Rap Beef Episode III: Revenge of the South (Re-Run)

This episode is a rerun from 10/7.
On the finale of the fellas’ series on rap beefs, Confucius and Fresh head to the south for rows in Texas, Florida, and Louisiana from the late ’80s through the ’00s.

MIEN: “Evil People” (Live In Studio 1A)

We all know that when an artist is featured on a song, it’s likely that they recorded it remote and sent the track to the main artist. But how does it work when you’re a quartet and only 2 of y’all live in the same place?

To ask the members of Austin experimental psych band MIEN, it’s a lot of time, patience, and enthusiastic participation. Alex Maas of Black Angels fame leads MIEN alongside Golden Dawn Arkestra’s Rob Kidd here in Austin while the group’s other members, John Mark Lapham and Rishi Dhir call Abilene and  Montreal home respectively. And what started as a fun recording project on the side became a fully realized band after their debut song “Black Habit” proved to us and them that there are still many unturned stones in the psych realm, sparking the tank and turning gasoline into energy.

Now back with their sophomore album MIIEN, that’s M-I-I-E-N, out this April, the band came together in person for a Studio 1A before they hit the road for a UK tour this spring.

Tommy Francisco: “Tommy’s Groove”

Even a piping hot bowl of tokontsu ramen can’t fully shake-off today’s bone chill, but maybe the headspace of partying on a yacht in Mallorca can.

Austin native Tommy Francisco hit the scene in 2020 with “Fever,” giving him an international audience and proving his ability to blend his Latin and Indigenous backgrounds into a brand of R&B and pop that speaks to the general human experience.

After charting at #2 on the R&B iTunes charts in 2024 with this EP In My Feelings, he’s back with V.I.P., and he’s put us on this list.

“Tommy’s Groove,” is a smooth, lively romp of yacht R&B. Like a collab between Chromeo and Michael McDonald. But don’t worry, Tommy’s Groove is lactose intolerant: no cheese, all linen-suit boogie.

“Tommy’s Groove” is from V.I.P., out now.

Slept All Day: “Asteria”

Austin duo Slept All Day may be new on the scene, but don’t sleep on them. Together, the two create moving soundscapes a la Bonobo and Washed Out. And they use their vocals as an element of the scape instead of its driving force. And despite the electronic instrumentation and vocal effects, the music is very terrestrial, like pairing psilocybin with a sunset seen from an oceanside cliff.

Slept All Day recently crowdfunded enough money to take their music east to play stages across Japan (in fact, they’re leaving on a jet plane today!). But they’ve left us with a parting gift, a song from their debut album Learning How to Sink.

“Asteria” is on Learning How to Sink, out now.

Middle Satre: “Corrupted (Uncorrupted)”

Welcome! Today’s theme is vision and reimagining. After spending a childhood in Salt Lake City, Hunter Preuger moved to Austin to sow oats with his project Middle Sattre. The project quickly expanded into a six-piece…and then an eight-piece, and a year after the release of their debut album Tendencies, the experimental folk outfit returned to the studio a full octet deep to revisit the group’s song “Corrupted.”

This isn’t some half-baked reimagining where you just throw in an extra string part and call it a day. This is a full-blown rebirth of the song, and from the first note, you hear the differences. The heartbeat is still there, and it’s a brilliant practice in taking something that was perfectly solid and making it absolutely transcendent. And it’s that right kind of Mother Falcon and Elliott Smith energy that makes for a perfect chilly, cozy Monday.

 “Corrupted (Uncorrupted)” is out now.

Death Palmz: “IL2H2LU”

I’ve heard your week’s woes, I know it’s been one, so Aunt Tay is here to deliver a little Friday elixir to shift you into weekend mode as you get ready to burn rubber in the parking garage.

Austin’s Death Palmz is another project from Exotic Frutica, and if you’re familiar with the punk band, know you’re in for three things: volume, energy, and moshing. French subverts some of that energy into Death Palmz, a dark, synth wave project specifically reminiscent of two of the genre’s stalwarts: Nine Inch Nails and Suicide. Oh yeah, you’re really excited now.

“I Love 2 Hate 2 Love You” is the precise antidote to a week of the rat race by diverting that festered frustration into a dopamine deluge of energy. Will it make you feel like you’re in one of those movies that simultaneously takes place in a dirty, smoky 80s goth clubs and be 100 years in the future? Yes, so buckle in.

“IL2H2LU” is on the Death Palmz EP, out today on Mr. Pink Records. You can see Death Palmz at their very first live show tonight at Chess Club with Holy Wire, Gleaming, and Past Model.    

Scott Collins: “Aphophenia”

Austin singer-songwriter Scott Collins has been ever-evolving in both songwriting and sound and now he’s started leaning in more to letting himself define his sound, branching out and seeing what feels right.

His 9th EP And All This Happened serves on the title’s promise: it’s all happening. But the early 00’s indie sound is still driving the bus. Recorded once again with Frenchie Smith at the Bubble, Collins brought the whole band into the studio this time, allowing Scott to focus on being Scott. And the song “Apophenia” is a brilliant summation of his effort: finding connections in things that seem or end up being totally unrelated.

“Apophenia” is on And All This Happened, out March 7th. You can see Scott Collins this Saturday at Guero’s on South Congress and Friday, February 14th @ the Aloft hotel off 183 and Lakeline Blvd.

Small Engine Fire: “Good Old Day”

Who said that energy and introspection can’t co-exist? It wasn’t me. And it certainly wasn’t Small Engine Fire. The new Austin band is made up of members of Lola Tried and Quiet Company, and together they create something a little nostalgic, like taking a ride out to Wilco with your Grandaddy. Small Engine Fire throws your ear for a fun loop by having traditional rock instrumentation and sound guided by an almost theremin-like synth melody. It’s like purple neon arrows guiding you around a Midwestern City.

Small Engine Fire follows their breadcrumb trail of singles with Better By Now, an EP that really showcases the band’s controlled pairing of thoughtfully paced introspective lyrics with an energy that keeps the train on track.

“Good Old Days” is from the debut Better By Now EP, out now. You can celebrate the EP release tomorrow night at the Hole in the Wall with Hex Girlfriend and TV’s Goodtimes.

Her Mana: “Oh This Moment” (ft. Sarita and Gene Evaro Jr.)

We love a side project, don’t we? Especially when ace collaborations are involved. For a couple of years, Ley Line’s Emilie Basez and Kate Robberson have been creating music as a Her Mana, honing an even earthier and more ethereal sound with the same incredible complex guitar noodling, harmonies, and wide range of world instruments that lead us right back to, well, the ley line.

“Oh This Moment” is the latest from the duo, beautifully blending terrestrial and the modern age into something almost impossible to describe, so let’s hear its magic instead.

You’ve got several chances to catch Her Mana this month: at their Thursday night residency at the Pershing all month long and a special performance at the Blanton Museum of Art this Saturday.

Gus Baldwin & the Sketch: “(She’s Gone) Arigato”

After many years of winning the hearts and ears of Austin music lovers both as a solo artist and as a member of the psych outfit Acid Carousel, Gus Baldwin’s name has been in the mouths of bookers and promoters for years, and more recently, he formed Gus Baldwin & the Sketch. And while it still has the tight, catchy hooks of Acid Carousel, the Sketch hangs out in the garage: it’s fuzzy, bold, and full of adrenaline.

Their debut album The Sketch came out last Friday, and while you’ve been hearing their garage rock song “Luxury Television” on the KUTX airwaves, today’s Song of the Day leans a bit more on the power pop side, hitting more like a harder Hot Hot Heat tune than Ty Segall.

“She’s Gone (Arigato)” is just pure fun and adrenaline. It’s punchy, danceable, and it might take you back to the iPod commercials of the mid 00’s. Truly the only bad thing about the song is that it ends. And as highly anticipated as this album has been, the wait was worth it; the sketches were turned in because they were ready; not because it was 11:30.

“(She’s Gone) Arigato” is on The Sketch, out now. You can see Gus Baldwin & The Sketch before they take the album on the road on Thursday February 20th at 29th St. Ballroom with Grocery Bag, Blank Hellscape, and Guiding Light.

Is a Jay-Z feature still worth it?

On this episode Fresh and Confucius discuss the difference between podcasting and radio and if a Jay-Z feature is still worth it to artists.

Lola Tried: “Degrader”

If Mama tried to steer you right, Lola Tried is here to steer you wrong. So very, very wrong. Known for masterfully blending the emo hooks of teenage Millennial yore with garage and power-pop sensibilities, the group has always been like the adult charcuterie board to pop-punk’s Lunchable.

After nearly a decade under those influences, Lola Tried comes back with “Degrader,” a raw departure from slick hooks and curled-lip lyrics. In fact, the curl has widened into something purely guttural, and the corner of Lauren Burton’s mouth is leaking venom-laced blood. And trust me, she’s not looking for a handkerchief.

This evolution of Lola Tried is as dark in tone as it is clear in direction. They’ve shimmied right over the awkward stage partly due to founding members Burton and Ray Garza bringing Gianni Sarimento and Austin Norman into the fold to fully actualize this new sound. The subject matter of “Degrader” is dark and regrettably relatable. It’s brave and powerful; two things that have always been part of the Lola Tried DNA.


“Degrader” is from Lola Tried’s upcoming EP, out later this year. You can celebrate the song’s release tonight at Chess Club with Stella and the Very Messed and Housewarming.

Valley Flower: “Run Buddy”

Rolling into Austin like a quiet, yet alluring fog from the Midwest and Appalachia is Valley Flower, a groovy bluegrass quintet that brilliantly weaves in those regional influences to offer something a little different to the stalwart, homegrown scene here in Austin. And 2024 was very fertile for Valley Flower. They opened for several national bluegrass/folks acts, held a residency at Sagebrush, played festivals, and had songs featured on some of Spotify and BMI’s most coveted playlists.

“Run Buddy” finds the string band putting a little alt-country veneer on their bluegrass soul, and it suits them well. The self-produced EP shows the band is a true ensemble: every layer is distinct and each instrument has a voice.

“Run Buddy” is from their self-titled EP, out tomorrow. You can see Valley Flower at their EP release show this Friday at Sam’s Town Point.

Yahtzee Brown: “Take It Back”

I know you’re already fantasizing about your first road trip of 2025, so here’s a new add for that tried and true playlist.

Austin’s Yahtzee Brown takes a myriad of inspirations to create his own brand and generation of country-psych, or what I prefer to call Cosmic Country. And while the songs of Townes Van Zandt and Gram Parsons bring us back, Yahtzee Browns moves the narrative forward in time, writing songs that speak to a generation who thought “born post-9/11” defined them…until the pandemic happened to rock their formative years. Freshman year of college on ZOOM from what should now be your old bedroom? No gracias.

“Take It Back,” gives us a peek into Yahtzee Brown’s inner monologue, perseverating on a relationship that’s run its course. And isn’t that something we all inevitably do when we have nothing but ourselves and the road?

“Take It Back” is from the album You Got This, out now.

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