Song of the Day

Song of the Day > All Episodes

August 22, 2023

The Lennings: “Secondhand”

By: Jack Anderson

For all the singer-songwriters who think they’re hot shit and want everyone to know it, there are just as many who’d prefer to lay low and essentially keep their craft to themselves. Among those who fall in the latter category? Guitarist-vocalist Jason Silverberg.

See, Silverberg launched his solo-endeavor-turned-full-band project The Lennings in the mid-aughts right here in Austin. Heyday highlights include The Lennings’ 2007 debut Big Beige Car, whose ten tracks have collectively racked up hundreds of thousands of streams, and their 2011 standalone cover “You’re the One That I Want”, which earned placement in NBC’s Parenthood soundtrack and nears nine million spins on Spotify alone. And yet we haven’t hardly heard a peep from The Lennings since the winter of 2012, when they dropped their sophomore full-length Inside.

Well it turns out that Silverberg shelved that indie-folk foray at the turn of the 2010s but scrapped the sabbatical when he returned to writing and recording at the start of the pandemic. A decade removed from previously-persistent studio output, this new iteration of The Lennings dodges doggedness in favor of a slow, steady, and cinematic approach. Yep, beginning with “New Year” (appropriately issued on January 1st, 2022), The Lennings is now a sporadic multimedia endeavor, where each sparse single release is served up alongside a visual counterpart. And today The Lennings officially set the pace with the second installment of this contemporary era, Secondhand. Lyrically, it chronicles a wallflower grappling with prolonged eye contact, casual conversation, and the very circuitry of time itself. Visually, it’s a largely over-the-shoulder perspective that tails a hooded introvert’s cross-Austin expedition. Sonically, it walks a tightrope of ’90s alt-folk with a beautiful blend of acoustic and electric guitars, balanced out with Silverberg’s soothing, multi-tracked vocal harmonies.

Altogether? “Secondhand” stops time for almost three minutes with a masterfully melancholy depiction of social awkwardness.


Episodes

August 28, 2025

Adrian Quesada: “Bravo (ft. iLe)” [Live In Studio 1A]

At this point, Adrian Quesada is a man who needs no introduction. With a musical curiosity rivaling Beck, project to project, he conjures up albums thoughtfully marrying tradition or inspiration to Quesada. On both iterations of the Boleros Psicodélicos albums, Quesada explores the centuries-old, Cuban-rooted tradition of the Bolero, beautiful, dramatic love songs deep with […]

Listen

August 26, 2025

Jane Leo: “Goldmine”

Song of the Day has returned from vacation, and I can’t think of a better way to come back than with my favorite dance-pop group this city has to offer. We’ve been following the rise of Jane Leo since its origins, and since the last time we checked in with the duo, they supported indie […]

Listen

August 14, 2025

Team Trust: “Wuggis”

Team Trust call themselves art rock, which is somewhat fitting, but if we want to be specific, I’d call them quirk-punk. The Austin trio sounds a bit like Being Dead and your cool, Gen-X brother’s punk demos he recorded at home the summer before they wound-up on tour with Black Flag, opting for a rotisserie […]

Listen

August 8, 2025

Russell Taine, Jr.: “Sidewinder”

Austin’s Russell Taine, Jr. blends indie rock with an Austin and Texas twist. It’s indie music powered by chords and melodies that you imagine being played at dusk in your cool friend’s backyard with a chain link fence and an oak tree in the background. It sounds like Hole In the Wall. Their latest single […]

Listen

August 7, 2025

Tear Dungeon: “Kill For Health” [Live In Studio 1A]

Andrew Chasen. With the Disciples of Creation, he takes you to church. With A Giant Dog, he takes you church. Sweet Spirit makes you want to dance the night away, and Tear Dungeon drags you to the basement, ties you to the St. Andrew’s Cross, and says flogging and bastinado are for the faint of […]

Listen

August 6, 2025

Jack Greenwood: “Four Walls”

Jack Greenwood’s new single is dance music for sad lads. On “Four Walls,” a song about feeling trapped, the Austin-by-way-of-Wisconsin singer and producer presents a fantastical escape, evoking the moodier side of the 80s synth. The opposing dichotomy works well here; what begins with sunny textures and a fun, melodic bass spirals into a manic […]

Listen

August 4, 2025

Mae Powell: “Contact High”

Bay Area singer-songwriter Mae Powell‘s debut album on Karma Chief Records, Making Room for the Light, serves up a West-coast brand of vintage, pastel-colored, jazz-meets-indie-pop beauty akin to Atlanta’s Faye Webster. Her latest single “Contact High” has origins in conversations with Powell’s elderly neighbor about a song with the spirit of being high socially, but […]

Listen

August 1, 2025

Celestine Gravely: “Kill the Heather”

Despite having a name that sounds like it belongs to a member of the Cramps, Austin’s Celestine Gravely‘s brand of rock is more attuned to the likes of Patti Smith and PJ Harvey, balancing the sounds of those eras and the power of their vocals with her own stamp of songwriting. You’ve got it all […]

Listen