Song of the Day

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June 20, 2024

Subpar Snatch: “Juicy Booty”

By: Jack Anderson

In the casual hookup community, even lovers with the highest body counts (especially those outside cis-hetero norms) might agree; it’s not size, shape, presence, or lack of specific anatomical features that make the biggest impression after the act. No, the quality of your “bits” may actually come second to a sense of enthusiasm when turning what could’ve been a vapid interaction into an unforgettable encounter. You know…”the motion of the ocean” and all that.

Sorry. We’re not trying to give anyone the ick. We just needed a little foreplay before introducing you to Subpar Snatch. First off, “Supbar Snatch” ain’t a bait-and-switch…like if a middle aged man named Richard were to go by “Mid Dick”; check their labian logo lest you misinterpret the band’s handle. Secondly, this Austin ménage à trois of mania and talent has managed to standout in the turbulent world of punk and garage shows which, whether in liminal concrete spaces or on sticky dive bar stages, are usually messy encounters full of technical missteps, sloppy techniques, hair getting caught in things, and performances so short they often climax before the crowd’s hardly half-cocked.

Haven’t slid into Subpar Snatch live in concert yet? Let ’em satisfy you this Pride Month with a gig next Wednesday at Still Austin Whiskey Co. for Gay Heat: Benefit for Equality Texas and a single and music video release show 11:30PM tomorrow night at Chess Club, with openers Sunspite at 10 and Bat Lips at 10:45, plus closers Hell Fury a quarter past midnight. And that new single, “Juicy Booty” is one of the trio’s most aggressive and accessible to date. With a pristine mix that preserves that in-garage gusto, a start-and-stop instrumental riff that’ll make you pull something in the pit, a half time bridge breakdown that edges towards a big finish, and individual intensities that layer together perfectly, “Juicy Booty” is a succulent, stimulating testament to what makes this three-piece anything but subpar…and why denying naughty song titles is plain asinine.


Episodes

August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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