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Yesterday was the summer solstice, not that you’d be able to tell with how grey and rainy it was. So to complement this week’s inclement weather, we’re getting a little foggy this Friday. And that’s on behalf of Fogwood.
Down to three members from the original four we heard on Fogwood’s eponymous 2022 debut, this Austin outfit lets their multi-instrumental imagination run loose with players alternating between guitar, keys, synth, mellotron, cello, and theremin. In doing so, Fogwood almost obscures who’s playing what and when, which is ultimately an ideal for their meditative, transformative, and free associative electronic instrumental arrangements.
Well, just in time for the summer solstice, Fogwood and the celestial elements aligned with the release of their sophomore full-length Inner Chambers yesterday. True to its title, Inner Chambers is a cavern-deep sonic experience that expands more than you may expect, albeit with no tight squeezes spoiling transitions between the seven intriguing tunes. They’re all great. They’re all weird. And they’ll all fill you with a feeling of awe. But we’ll give a special shoutout to Inner Chambers‘ centerpiece “The Mystic Valley” for its percussion-less, Philip Glass-esque arpeggios and atmospheric pads that almost sound like a cut track from the Koyaanisqatsi soundtrack.
