Song of the Day

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April 11, 2024

Street Peach: “Heavy”

By: Jack Anderson

If we’ve learned one thing from Destiny’s Child, it’s that vocal groups aren’t always limited to one breakout singer. Even if fate favors one over another in the long run. And that’s kind of lining up with how we see some of the expats from former Austin R&B trio Keeper.

See, while Keeper’s Yadira Brown has kept busy with longtime collaborator BoomBaptist through The Vapor Caves, her fellow Keeper co-founder Lani Thomison only started picking up speed with her solo project Street Peach in the past few months. As we already heard in Tomison’s work with Keeper, Street Peach’s techniques blend R&B, soul, and choral, plus (as you might’ve guessed from her handle) some extra urban sex appeal as well. Sure, Street Peach’s introductory standalone, “Qiller”, has kept us as sated as possible since May 2020. But truthfully, we’re already licking our lips over news of a full batch this fall.

That basket arrives this October in the form of Street Peach’s debut EP, Monarch, a seven-song spreading of wings created alongside producer Willie Green. And following Monarch‘s first offering that’s already enjoyed consistent spins on recent episodes of The Breaks (mid-February’s “Caroline”), another nubile installation just landed in our lap. “Heavy” lays the seduction on thick, thanks to delineated drums, drizzling synths, and a Sylvia Striplin-style chord progression channeled through a killer chorus guitar groove – one that makes the bed for Street Peach’s featherlight vocals. And those steamy conditions forecast for next week? They could get you sweatin’ juuust right for when Street Peach heats up the stage 7:15PM next Thursday at Hotel Vegas ahead of Daphne Tunes.


Episodes

September 2, 2026

Emily McLoud: “What Will I Do”

Austin singer-songwriter Emily McLoud brings folk and Americana songwriting to stories of love, loss, family and change. “What Will I Do” takes on anticipatory grief, focusing on the everyday moments and routines that suddenly feel much more meaningful when you realize they could change. The album is out October 23, with an intimate release event […]

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September 1, 2026

Magna Carda: “Vibes VII” [The Hole Story]

THE HOLE STORY IS POWERED BY AUSTIN BEERWORKS Magna Carda began as two college students trying to combine hip-hop production with the spontaneity of live jazz. Nearly fifteen years later, Megz Kelli and Dougie Do are still following that idea and their collaboration has grown into one of Austin’s most acclaimed hip-hop groups, blending Megz’s […]

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August 31, 2026

Geto Gala: “Playa Call”

New music from Geto Gala was literally on my 2026 New Music Wish List, and here we are. Jake Lloyd and Deezie Brown are back with the smooth and sexy “Playa Call”: thematically harkening back to seductive 90’s R&B hits…until we ge to the twist at the end. Hold up! We’ve been sucked in, the […]

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August 28, 2026

The Summertimes: “Save You Now”

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August 27, 2026

Whereabouts: “Flashback”

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August 25, 2026

Jade Bird: “Lottery” [The Hole Story]

The Hole Story is powered by Austin Beerworks British singer-songwriter Jade Bird broke through in the U.S. in 2018 with “Lottery.” In this episode, she looks back at that song with a very different perspective, talks about the relationships and experiences behind her writing, and performs songs including music from her album, Who Wants to Talk […]

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August 24, 2026

Wynonna: “Am I Missing Out”

Country music legend Wynonna Judd is back with her first album in over a decade. On The Hard Truth, she collaborates with artists like Iron & Wine, the War & Treaty, and Patterson Hood. And despite her music never shying away from darker, personal themes, Judd says this new album may be her most honest. […]

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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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