Song of the Day

Song of the Day > All Episodes

June 26, 2024

Sam Franklin: “Blanket”

By: Jack Anderson

If you want quality culture here in Texas, the surname Franklin has been shown to be a strong indicator. There’s BBQ pitmaster Aaron Franklin, The Suffers’ frontwoman Kam Franklin, and…native Austinite Sam Franklin.

This producer/engineer/songwriter’s been formally doing his solo thing since the mid twenty-teens, and if you check out his streaming numbers on Spotify alone, they’re not too shabby! Although his style is mainly anchored at the bay of indie pop rock, Franklin (with his fervent falsetto vocals, multi-instrumental mastery, and proven understanding of pristine mixing) actually has some dang good range; Franklin keeps his formulas fresh with elemental forays into trap, R&B, soul, and breakbeat.

But today Franklin returns to his forte of radio-ready indie rock with Sam’s latest standalone “Blanket”, that just as he describes is, “kinda like Weezer meets Dayglow”. At least we can hear it. It’s got that eponymous blue debut guitar distortion setting the mood, infectious lead refrains and lyrical vulnerabilities that give Rivers Cuomo a run for his money, and that emo-adjacent emotional weight that makes folks like Sloan Struble and Sam Franklin such accessible streaming darlings.


Episodes

November 6, 2026

A Parent’s Project: “You’re Enough”

Children’s artists often walk a wobbly tightrope of producing songs that are attractive to children while remaining enjoyable to the parents who are also in the car. Today, we bring you a Song of the Day that we think checks both boxes: “You’re Enough” by A Parent’s Project. Landon Thompson from The Black and White […]

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November 5, 2026

Zoë Pete Ford: “Tattoo City”

If Chess Club and the Broken Spoke had a sonic baby, it would be Zoë Pete Ford. Splitting time between New York and Austin, Ford says she only needs a car and guitar, and everywhere is home, which manifests beautifully in her cross-country sound, something I’m calling “punky tonk.” Her new album Tattoo City comes […]

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November 4, 2026

Almost Heaven: “Fever Trying To Blow” [Live In Studio 1A]

Some songs can turn your day around, and “Fever Trying to Blow” by Austin’s Almost Heaven is one of them. This was the first song I heard from the band, and it’s stayed in heavy rotation ever since. I love how the song builds and moves between its sections without losing that infectious energy. It’s […]

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November 3, 2026

The Harms: “Tornado Row”

After more than a decade, Austin’s The Harms are releasing their sophomore album! Fronted by Austin music mainstay Chase Frank, the Beto Martinez-produced album is chock-full of earworms that splinter and showcase the wide world of psych rock. “Tornado Row” is a fun, hyped-up garage-surf tune with Frank’s harmonies adding an 80s Go-Gos like veneer. […]

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November 2, 2026

They Might Be Giants: “Get Down”

For music veterans They Might Be Giants, momentum is the secret sauce….or novel spice blend, attributing the “open-endedness” of their approach to the craft as the key to their continued popularity and intrigue after 44 years. Their latest album (and note: their 24th) The World Is to Dig is a largely upbeat- 18-track romp, bursting […]

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October 30, 2026

lluvii: “junii (llámame)” [KUTX Live At ACL Fest 2026]

As we round fourth base on October, we’re giving it up one more time for our Artist of the Month lluvii. The Latin pop/psych group made their ACL Fest debut at the beginning of the month, and they stopped by our backstage tent to delight us with a live version of the song we’ve been […]

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October 29, 2026

Serena Sun: “Tell Me… Please”

Happy early halloween, and what’s scarier than growing up? Vancouver based, Serena Sun takes a silky, honest look at releasing the pressures of having her own fate in her hands. This is a sneak peak of this track set to be released tomorrow.

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October 28, 2026

Masahiro Okamura: “A Wonderful World Of Death”

Tokyo-based singer-songwriter Masahiro Okamura explores the idea of finding peace in death on “A Wonderful World of Death,” a dreamy blend of dream pop and indie electronic. Featuring strings from Brooklyn-based violinist Pete Lanctot, the track is the focus song from Okamura’s debut album, Foehn

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