Song of the Day

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February 22, 2023

Jefrey Siler: “Wounded in Similar Ways”

By: Jack Anderson

Part of what makes modern folk-rock acts like Mac DeMarco so memorable is their ability to walk a tightrope between self-deprecating humor, snarky remarks, and heartfelt wisdom. And it makes sense. When you crack a joke or make a bleak shock-value statement, it quickly establishes a surface-level rapport and opens a threshold towards deeper reflections and tougher truths. But channelling that cavalier attitude while carrying authentic emotional weight and managing to stay catchy in the context of a song?

Austin songwriter Jefrey Siler has been living “at the corner of sincere and sardonic” since debuting Yellow Means Infection! in 2010. Yet outside of two singles from 2020, Siler’s studio output has been close to silent in the past decade. Well, this Friday Siler jumps back into action with Jefinitely.

Produced by The Shins’ Yuuki Matthews and recorded in Brooklyn with members of Devendra Banhart and Sufjan Stevens, Jefinitely is a killer counterpart to Yellow Means Infection!, which also totaled in at ten tracks. Just like its predecessor, Jefinitely is jam-packed with confessional crooning, intriguing instrumentation, and yeah…some beautifully flawed storytelling. Perfect example: “Wounded in Similar Ways”, whose acoustic guitar arpeggios and galloping tom-tom cadence make you overlook that the title is “something a hippie might say”. And although Jefrey’s vocal register is about two octaves lower than Justin Vernon’s, the gorgeous choral harmonies remind us of the arrangements on Bon Iver’s 22, A Million, sending Siler into the upper echelon of inventive indie-folk-rock.


Episodes

March 18, 2026

Adult Leisure: “Borderline” [Live At Scholz Garten]

The quick rise of UK alt-indie rockers Adult Leisure have garnered them attention in a myriad of magazines, support from BBC Radio 6, two songs featuring John Waugh of the 1975, and a tour across the UK and Europe, New York, and, finally, more than a half dozen shows at this year’s SXSW. That last […]

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Quentin: [Live At Scholz Garten]

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March 13, 2026

Anastasia Hera: “Ambitions” [Live In Studio 1A]

KUTX’s coverage of SXSW is powered by Rivian and presented by Uber Eats Austin’s Anastasia Hera has been blending her brand of rap and R&B for almost fifteen years. In addition to releasing her own solo work, leading her group Anastasia and the Heroes, and putting her mark on various other projects, she’s also the founder of […]

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March 12, 2026

Deer Fellow: “Fool For You”

Sonic ingenuity with ruffles imbued with love is the thesis of Austin indie duo Deer Fellow. Blending sonic loops and synth-sibilities with violin intimacy, they set a romantic mood that can’t help but creep in from the background. Newly married, Matt Salois and Alyssa Kelly are well into their season of love, beautifully illustrated through […]

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March 11, 2026

Social Dissonance: “This is Hell”

Austin’s Social Dissonance is pushing the boundaries of genre-bending with their new track “This Is Hell.” With the combination of metal, alt-rock, and punk, we are left with a gritty and explosive track that thrives on distortion, raw energy, and an unrelenting pace.“This Is Hell” marks the first release featuring the band’s new frontwoman, Lucy […]

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March 10, 2026

Francene Rouelle: “september bby”

One of the fastest ways to know that you’re changed is how those around you change. Austin-based pop Francene Rouelle, tackles this in her latest single, “september bby,” a brief, punchy dance tune reminiscent of hyperpop phenoms 100 gecs. Speaking to an unnamed character about her upgraded hair and wardrobe, she drives home the most […]

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March 9, 2026

The Sophs: “House”

L.A. six-piece the Sophs are true chameleons. Whether they’re throwing in some twang on a college party bop, going full pop-punk nostalgia, or, in the case, of “House,” painting a Shirley Jackson-like story of a man living in a hovel built from and on bones, surrounded by ethereal remnants of past occupants and adding more […]

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March 6, 2026

Glass Mansions: “Sunsetting”

Austin dark pop trio Glass Mansions, known for their lush, electronic leaden, pop-driven rhythms, are back with their most emotional and close-to-the-chest song to date. Following the sudden loss of both of her parents and disenchanted with the notion that you’ll always get to create “the next thing,” frontwoman Jayna Doyle asks herself, “what would […]

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