Song of the Day

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February 22, 2023

Jefrey Siler: “Wounded in Similar Ways”

By: Jack Anderson

Part of what makes modern folk-rock acts like Mac DeMarco so memorable is their ability to walk a tightrope between self-deprecating humor, snarky remarks, and heartfelt wisdom. And it makes sense. When you crack a joke or make a bleak shock-value statement, it quickly establishes a surface-level rapport and opens a threshold towards deeper reflections and tougher truths. But channelling that cavalier attitude while carrying authentic emotional weight and managing to stay catchy in the context of a song?

Austin songwriter Jefrey Siler has been living “at the corner of sincere and sardonic” since debuting Yellow Means Infection! in 2010. Yet outside of two singles from 2020, Siler’s studio output has been close to silent in the past decade. Well, this Friday Siler jumps back into action with Jefinitely.

Produced by The Shins’ Yuuki Matthews and recorded in Brooklyn with members of Devendra Banhart and Sufjan Stevens, Jefinitely is a killer counterpart to Yellow Means Infection!, which also totaled in at ten tracks. Just like its predecessor, Jefinitely is jam-packed with confessional crooning, intriguing instrumentation, and yeah…some beautifully flawed storytelling. Perfect example: “Wounded in Similar Ways”, whose acoustic guitar arpeggios and galloping tom-tom cadence make you overlook that the title is “something a hippie might say”. And although Jefrey’s vocal register is about two octaves lower than Justin Vernon’s, the gorgeous choral harmonies remind us of the arrangements on Bon Iver’s 22, A Million, sending Siler into the upper echelon of inventive indie-folk-rock.


Episodes

April 21, 2026

Reyna Tropical & Xiuhtezcatl: “Camino”

Cumbia meets Afro-indigenous rhythms in this one-off from Mexican-American artist and activist Xiuhtezcatl and duo Reyna Tropical. Debuted last month at Vive Latino, one of Latin America’s biggest music festivals, the song “bridges the worlds of Indigenous wisdom, diaspora, community, Queer Love and Afro Mexico and the unity and pathways that these bridges are establishing […]

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April 17, 2026

Club Coma: “You Can Take My Spirit”

Austin’s Club Coma are back, this time with more tricks in their bag and an added touch of fuzzy sweetness, adding Lani Thomison AKA Street Peach to their club mix. The new, absolute banger “You Can Take My Spirit” sees the quartet extending the fazers into experimental territory, adding a little crunch to the beat, […]

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April 16, 2026

Billie Marten: “Feeling” [Live In Studio 1A]

Billie Marten is an English singer-songwriter known for her delicate folk sound, warm finger-picked guitar, and quietly powerful songwriting. In 2025 she released her fifth studio album, Dog Eared, on Fiction Records, expanding her signature folk style with richer arrangements. Marten’s music blends elements of folk, indie, and jazz-tinged pop, creating an intimate and timeless […]

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April 14, 2026

I’MMORTAL: “Floor Siren”

Have you ever needed a dance break in the middle of a Tuesday afternoon? Today’s Song of the Day, “Floor Siren,” transports listeners to the dance floor no matter what day or time it is. New York-based artist I’MMORTAL builds an experimental, deconstructed club sound – similar to contemporaries such as COBRAH and Shygirl – […]

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April 13, 2026

Eyelid Kid: “What Happened”

Born and raised in Austin and now based in L.A. (after a stint in Brooklyn), Eyelid Kid is back with more of that smooth, bedroom pop bop action. Produced by Flora and Fawna’s Mason Ables, “What Happened” is cozy and laid back with a midtempo pulse of drum machine momentum and affixed with lots of […]

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April 9, 2026

Ratboys: “What’s Right?” [Live In Studio 1A]

Formed in 2010, Ratboys began as a humble duo by Notre Dame Freshman Julia Steiner and Dave Sagan. By 2017, they’d become a fully-fledged four-piece, relocated to Chicago, and were opening for acts like Soccer Mommy and Diet Cig with heaps of critical praise to line their nest (I assume all ratboys build little nests […]

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