Song of the Day

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February 21, 2023

Domestic Tallboys: “Dead Bread”

By: Jack Anderson

In the world of “gotcha”-style band handles (whose spot on a marquee may entice unsuspecting listeners in under false pretenses)…nothing will ever come close to “Free Beer”. As a result, countless college bands and beyond have adopted the “Free Beer” moniker, nowadays either temporarily or often with some kind of modifier (“Free Beer & Pizza” comes to mind). But that gimmick gets old after the initial chuckle, and tricking potential first-time listeners isn’t exactly how you build a dedicated following. With all that in mind, there’s a certain genius to naming a band Domestic Tallboys; Here in the South, especially Texas, it’s pretty much guaranteed that any live venue serves non-imported aluminum pints. So by holding onto the name since 2017, Domestic Tallboys have not only ditched the nefarious bait-and-switch of “Free Beer”, they’ve curated a whole dive bar vibe that they call “sloppy nacho rock”. Well, now that now that the foam from their latest final masters have settled down, Domestic Tallboys are ready to crack open their debut full-length, MAXIMÓN. MAXIMÓN introduces saxophone into the mix for some extra cross-genre carbonation, bringing that beer-braised energy into the comfort of your earbuds. MAXIMÓN is out on Friday, and Domestic Tallboys hits the stage at Swan Dive for the LP release show at 10:30PM that same evening. So get out, cop a couple of your favorite cans at the bar, and soak up some solo-heavy stuff like what you hear in MAXIMÓN‘s final lead single, “Dead Bread”.

Episodes

November 17, 2025

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Oakland underground music veteran Rob Good has been hard at work with his jangly, power pop trio The Goods, blending shimmery British Invasion-style energy with a bit of 90’s indie pop flair to create something simultaneously nostalgic and new. The follow-up to their 2023 debut EP is the full album Don’t Spoil the Fun. The […]

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November 13, 2025

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November 12, 2025

Born Ruffians: “Athena”

Across three decades, Born Ruffians have been a pivotal part of the Toronto music scene. And in that time, music has changed, artists have come and gone, leaving their various marks, and while many artists look around and see themselves surrounded by new generations and fall back, the Canadian quartet has marched forward, always pushing […]

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November 11, 2025

Vizzconde: “Camaleón”

Up-and-coming Spanish alt pop artist Vizzconde made his debut earlier this year with the instrumental dance single “Portents.” He’s followed that up with “Camaleón,” an upbeat song that draws inspiration from medieval times and his Galician roots. The song begins with a gentle piano intro, but with electronic vocal stylings, a driving beat, and a […]

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November 10, 2025

Dion Lunadon: “Gold Standard Love”

New Zealand-born, New York-based Dion Lunadon, former bassist of Brooklyn post-punk band A Place to Bury Strangers, has released his latest single “Gold Standard Love” via a limited edition 7″ flexi disc inside the fall issue of the illustrious CREEM magazine. 100 flexi’s inside 100 copies. Whoa. This crunchy, post-punk romp carries that signature NYC early 00’s […]

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November 6, 2025

Jane Leo: “Goldmine” [Live In Studio 1A]

After a year or so of releasing individual dance-pop candies, Austin’s Jane Leo released their sophomore album Creature of Destruction in September. One of the tracks on the album is “Goldmine,” a slightly more subdued song from the art-pop duo, but still dripping with energy and that funky “Imma dance here in my own little […]

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November 3, 2025

Her Mana: “Suena”

Perfect for the chilling temperatures is the latest from Austin world-folk duo Her Mana. Emilie Basez and Kate Robberson return with their latest single “Suena,” a slow, tender tune made for slow dances with long, locked gazes. Produced by Jim Eno and featuring the Ibiza String Ensemble to brighten the thoughtfully equipped negative space in […]

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