Song of the Day

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April 15, 2024

Felt Out: “Crash Inside It”

By: Jack Anderson

When we last geeked out over Austin’s Felt Out, we broke down their foundation as that of auto-tune innovators on the cutting edge of alt-pop. And following the first anniversary of their second full-length Until I’m Light, that’s clearly still the case for these multi-instrumentalist-producers. They still sound like a next generation Imogen Heap. Their style still scratches that itch within the hyper-processed, accessible-yet-oddball alt-pop niche. And they’re still going strong in 2024.

Yep, after a year of silence for studio releases, Felt Out touched down from their natural habitat way up in the electro-aether last week, almost as if ushered in by the solar eclipse. On Friday they fired off “Know You (closer3.0)” – a Frankenstein re-assembly of leftover samples from their current streaming star – and “Crash Inside It” – which came alongside a minimalist music video. Unlike the polished, narrative-driven visual companion to “Closer”, “Crash Inside It”‘s counterpart lets a flickering frame rate and negative polarization do the storytelling, a return to their earlier aesthetic of amateur footage, analog grain, openness to interpretation, and all.

It’s certainly on brand for Felt Out, that’s for sure. And it’s got us eager to see and hear what they’ll come up with next. You feel us?


Episodes

November 6, 2026

A Parent’s Project: “You’re Enough”

Children’s artists often walk a wobbly tightrope of producing songs that are attractive to children while remaining enjoyable to the parents who are also in the car. Today, we bring you a Song of the Day that we think checks both boxes: “You’re Enough” by A Parent’s Project. Landon Thompson from The Black and White […]

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November 5, 2026

Zoë Pete Ford: “Tattoo City”

If Chess Club and the Broken Spoke had a sonic baby, it would be Zoë Pete Ford. Splitting time between New York and Austin, Ford says she only needs a car and guitar, and everywhere is home, which manifests beautifully in her cross-country sound, something I’m calling “punky tonk.” Her new album Tattoo City comes […]

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November 4, 2026

Almost Heaven: “Fever Trying To Blow” [Live In Studio 1A]

Some songs can turn your day around, and “Fever Trying to Blow” by Austin’s Almost Heaven is one of them. This was the first song I heard from the band, and it’s stayed in heavy rotation ever since. I love how the song builds and moves between its sections without losing that infectious energy. It’s […]

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November 3, 2026

The Harms: “Tornado Row”

After more than a decade, Austin’s The Harms are releasing their sophomore album! Fronted by Austin music mainstay Chase Frank, the Beto Martinez-produced album is chock-full of earworms that splinter and showcase the wide world of psych rock. “Tornado Row” is a fun, hyped-up garage-surf tune with Frank’s harmonies adding an 80s Go-Gos like veneer. […]

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November 2, 2026

They Might Be Giants: “Get Down”

For music veterans They Might Be Giants, momentum is the secret sauce….or novel spice blend, attributing the “open-endedness” of their approach to the craft as the key to their continued popularity and intrigue after 44 years. Their latest album (and note: their 24th) The World Is to Dig is a largely upbeat- 18-track romp, bursting […]

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October 30, 2026

lluvii: “junii (llámame)” [KUTX Live At ACL Fest 2026]

As we round fourth base on October, we’re giving it up one more time for our Artist of the Month lluvii. The Latin pop/psych group made their ACL Fest debut at the beginning of the month, and they stopped by our backstage tent to delight us with a live version of the song we’ve been […]

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October 29, 2026

Serena Sun: “Tell Me… Please”

Happy early halloween, and what’s scarier than growing up? Vancouver based, Serena Sun takes a silky, honest look at releasing the pressures of having her own fate in her hands. This is a sneak peak of this track set to be released tomorrow.

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October 28, 2026

Masahiro Okamura: “A Wonderful World Of Death”

Tokyo-based singer-songwriter Masahiro Okamura explores the idea of finding peace in death on “A Wonderful World of Death,” a dreamy blend of dream pop and indie electronic. Featuring strings from Brooklyn-based violinist Pete Lanctot, the track is the focus song from Okamura’s debut album, Foehn

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