Song of the Day

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November 10, 2022

Arya: “i’d rather lose you”

By: Jack Anderson

No matter the kind of creative, a hard pivot takes a lot of guts. Be it George Carlin dropping “straight” in favor of “straight up” or Danielle Ponder leaving her legal firm to focus on her pipes, those risky shifts can end up being unique, life-changing gifts. Among the more recent entries into that roster? Serbian national Arya.

You see, Arya spent about a decade and a half back in Belgrade behind a Baby Grand; ten-plus years of classical piano coupled with a Bachelor’s in Jazz. Yet despite becoming a certified ace on the ivories, the fulfillment of contemporary innovation wasn’t exactly there.

Now, as Austinites, we won’t claim that it was the Live Music Capital that turned Arya into the rising star she is today. However, it was Arya’s move to Texas that coincided with her 2019 debut EP it wasn’t love. That record introduced the world to a daring, new, and authentically-emotional pop-R&B voice, no doubt well-informed by her mastery of jazz and classical theory. On top of all that talent, she seems like an outstanding human being as well! Arya’s last single, “Bed”, came alongside her “Better Every Day” merch line, which donates proceeds directly to Austin’s beloved SIMS Foundation.

Arya’s been plugging away at her debut visual EP Insides, but with 2022 quickly coming to a close, she’d be remiss if she didn’t go out in full R&B-stunner style. At 7:30PM tonight at Pedernales Station, Arya unfurls the live rendition of her latest single “i’d rather lose you”, with tattoos by Slowpoke Marfa, free drinks, and more. Can’t make it? No problem. The heavenly piano chords, angelic vocals, and soaring synth bass of “i’d rather lose you” are enough to make you pray for more right away.


Episodes

August 23, 2022

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August 19, 2022

Jeremy Nail: “Open Door”

Yesterday we celebrated the intrinsic ingenuity of human creativity, but we didn’t touch on one of the most important aspects: writing your way through trauma. It’s a healing property that goes all the way back to the ancient storytelling tradition of African percussion, but for Austin-based singer-guitarist Jeremy Nail, the weightiest wounds were his 2012 […]

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August 18, 2022

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Here’s the biggest understatement you’ll read today: creativity is an incredible human asset. We reach into the aether and pull out something that previously didn’t exist. But in the eyes of consumers and curators alike, that’s only half the battle. For them, bringing the abstract into fruition as a tangible, easily-accessible document is what separates […]

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August 17, 2022

Exotic Fruits: “Panda Vision”

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August 16, 2022

Upper Level Lows: “She Got Style”

Now I don’t want to jinx the elements, but with only one triple digit high in the forecast for this week, it seems like we might finally be cooling down just a bit. So if you’ve been in sweaty solitude and need to take advantage of this (presumably brief) seasonal respite, we’ve got a couple […]

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August 15, 2022

Phil Hurley: “Failing Heart”

In the state of contemporary recording, session EPs are a pretty refreshing concept. By limiting yourself to one space and removing any access to punch-ins, session records evoke the “one-take” magic of century-old methods, back when capturing an authentic live performance was the industry standard. Phil Hurley‘s experienced the best of both, having tracked with […]

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August 12, 2022

Daniel Tashian: “Night After Night”

In 2019 I got a big kick out of Kacey Musgraves’ “Album Of The Year” Grammy acceptance speech for Golden Hour; it was so heartwarming to see a future country superstar acknowledge her trustworthy team, whose efforts took a record with little hype or radio recognition all the way to the top. And if you […]

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