Song of the Day

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November 11, 2022

Glass Mansions: “Standing O”

By: Jack Anderson

Back at the turn of the millennium it was a pretty interesting phenomenon seeing the label “alt-rock” dominate genre preferences. Now, immersed in the status quo of DAWs and MIDI arrangements a full generation later, we’ve come full circle with “alt-pop”. So if you’re on the prowl for the top purveyors of alt-pop right here in Austin, have peek into Glass Mansions. Made up of vocalist/percussionist/sampler Jayna Doyle and synthesist/guitarist/bassist/keyboardist Blake Arambula, this two-piece definitely ticks a box for member efficiency. In the half decade since breaking ground on Glass Mansions, the pair’s atemporal open house of synth-driven, rock-grounded, dance-adjacent tastes has landed their tunes on MTV, Netflix, and Bravo. And in the live realm, Glass Mansions has glistened onstage alongside Phantogram, Robert Delong, and Young the Giant across Warped Tour, SXSW and beyond. Amongst all that applause and exposure, Glass Mansions has gleaned how to please listeners of all kinds. But as a female-led project, even Glass Mansions has unsurprisingly been smudged by institutionalized oppression. So today, a week out from their free Beach Fossils after show next Friday at The Mohawk, Glass Mansions has pulled the curtain back on their latest music video. Between its news footage, stacked-tv overstimulation, and undeniable crossover appeal, “Standing O” may make you wanna rip your monitor right out of its socket…at least wait ’til you give Glass Mansions a follow.

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January 13, 2025

DAYEATER: “Between the Otherside” [PREMIERE]

Who says psych-rock can’t come with badass near rock-opera harmonies? Austin’s DAYEATER certainly doesn’t. And throw in some power pop? Honey we are off to the stratosphere courtesy of an 80s He-Man cartoon-style music video. Jesse Lee fronts the trio, pulling off riffs that give two handed-players a run for their money. Lee’s power on […]

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January 10, 2025

Ley Line: “Agua Do Mar”

The ladies of Ley Line are back, baby, and they’re looking forward to bringing us a string of reunion shows this April. To get us excited, they’ve announced their Live at the Pershing EP (out later this month) and gifted us “Agua Do Mar,” their take on the Brazilian folk song “Memorias do Mar,” an […]

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January 9, 2025

Nilsa No One: “Lucid Dream”

Austin-bred songwriter and guitarist Nilsa grew-up in the throws of the local punk and metal scenes, but Nilsa, like the rest of us, contains multitudes, so she’s brought in rhythm section Jesse Maciack and JJ Pereira to become Nilsa No One, blending the rawness from her nurturing with her haunting vocals and emotive contemplations that […]

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January 8, 2025

Schmiddy: “Nebula” (ft. Andyah)

Austin beatmaker Blake Schmidt has released a string of instrumental mixtapes under the moniker Schmiddy for the last three years, all the while working towards something more comprehensive. Schmiddy’s background in composing for short films in college for grades to composing hip-hop tracks for fun has led him to last Friday: the release of Schmiddy’s debut album Lightning […]

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January 7, 2025

Okonski: “October” [PREMIERE]

Okonski is another beautiful project born from the Durand Jones & Indications house with pianist Steve Okonski at the helm with support from fellow Indications Aaron Frazer and Michael Montgomery on drums and bass. Together the trio takes all of the jazz elements of Durand Jones & the Indications and puts them front and center, […]

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December 20, 2024

Kid_Wy: “See About Me”

Well, well, well…we’ve arrived at the last Song of the Day before our brief winter break. But it’s not just the final feature of 2024; it’s also a poignant conclusion to my regular tenure. Yep, after seven long years and 1,725 of these, it’s time for me to step down from Song of the Day […]

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December 19, 2024

Sloppy Scales: “Sweet Baby Jesus”

After spending twelve straight hours in an international airport, I can authoritatively say that we could use a few more new Christmas originals to give all those timeless classics a much needed rest. Seriously. You can rework “Holly Jolly Christmas” into reggae, Western swing, or house, but it doesn’t change the fact that at some […]

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December 10, 2024

Erin Ivey: “I’m in Awe”

A lot of intergenerational discourse about age and beauty got brought up because of The Substance this year. Ya know, out with the old and in with the new by rule of sex appeal. And the way some of these fresh-faced artists skyrocket to half a billion streams seemingly overnight based on Tik Tok clout…it’s […]

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