Song of the Day

Song of the Day > All Episodes

July 19, 2023

Jefferson Clay: “Freaking Out Is Fine”

By: Jack Anderson

The gift and curse of modern artist multiplicity is so immense that it’s nearly unfathomable. For listeners, it opens a Pandora’s box of choices to the point that we almost have to rely on streaming algorithms and pre-made playlists to find new sounds. And while artists themselves can still easily find musical role models to emulate, where do you even start in terms of identifying your contemporaries and narrowing down your competition? Well, especially for a solo act here in the already-flooded Live Music Capital, it not only depends on talent, but indeed, a calculated release schedule to keep all those easily-disinterested listeners engaged. Just check out Austin singer-guitarist Jefferson Clay‘s single discography, which now totals at a dozen, including the Fall 2021 breakout/playlist darling “Sun-Glo”. Clay wisely kicked off his streaming presence within the first two weeks of the global shutdown, back when everyone was begging for any kind of variety to help stave off cabin fever. But Clay kept the momentum going with three more singles for 2020, and a pair both for 2021 and 2022, all of which maintain a well-branded minimalist aesthetic in terms of visual art. And as opposed to a fad-chaser desperate for metrics, fortunately Clay has the wisdom to recognize the artistic wholeness of a debut full-length, Elsewhere. Somehow. Somewhere., which drops…sometime soon. Continuing the journey from his salad days of underage 6th street shows to co-headlining 40 Acres Fest at his alma mater, appearing on American Idol and opening for REO Speedwagon, Elsewhere…is an indie-pop alt-rock R&B tumbler of Clay’s ever-maturing talents wrapped up in one easily-accessible package. Ahead of the “Too Damn Hot” showcase 8PM this Friday at Burleson Yard Beer Garden in San Antonio Jefferson recently unfurled a twofer that evokes Max Frost, which isn’t a huge surprise since they were produced by Max/BLK ODYSSY collaborator Victor Gaspar. So funnel the earworm that is “Freaking Out Is Fine” straight into your cranium and try not to incorporate it into your daily wakeup routine.

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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August 10, 2026

Modiste: “Breaking My Own Heart”

The past is coming up from behind on the debut single from Louisville, Kentucky synth trio Modiste. The 80’s-inspired group employs exclusively analog and digital vintage instruments and toys to invoke a true pastiche of your favorite smokey 80’s underground music with just a whisper of the modern age. Think Jane Leo meets Kate Bush […]

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August 7, 2026

Paige Plaisance: “Waiting”

Paige Plaisance is carving out her own lane with a sound she coins “Swampytonkin’.” Raised on a farm near the muddy banks of the Mississippi River, the Austin-based singer-songwriter and pianist is back with her highly anticipated second full-length album, Swampwater. Recorded at Austin’s famed Finishing School and produced by Jonathan Tyler, Swampwater further establishes Plaisance as a masterful, […]

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