Elizabeth McQueen

How are global and local changes impacting the Austin Music Scene?

How is climate change impacting Austin’s Music Scene? What about skyrocketing ticket prices? Or changes in AI and tech? How are new laws in Texas affecting women and LGBTQIA+ people in the music ecosystem? These are some of the questions that hosts Miles Bloxson and Elizabeth McQueen will explore in Season 5 of Pause/Play. In the first episode, they look at how COVID has shifted some people’s relationship with live music, plus they give you a season overview.

In this episode you’ll hear from neuropsychotherapist Bella Rockman, Lawrence Boone from the Far Out Lounge and Stage, Meteorologist David Yeomans, Jammy Violet from Pelvis Wrestly, Austin musician Caleb de Caspar, Adrienne Lake from Daydream Believer Austin and Frontgate Tickets founder Mellie Price.

Pause/Play Season 5 Trailer

The new season of Pause/Play starts on April 17th. This season is all about change. We’ll be looking at the impact that climate change, changes in laws, changes in ticketing, changes in venues, changes in tech, and more are having on the Austin music scene.

An Outsider’s Take on the Austin Music Scene

In this bonus episode, Brazilian journalist and podcaster Filipe Speck explores the Austin Music Scene from his perspective as someone visiting the city for the first time.

Filipe is the co-founder of Matinal

You can listen to Filipe’s podcast Noites Gregas.

All About Our Listeners

This episode is all about our listeners. We asked what they thought we should do to support the Austin Music Scene, and they answered! Plus, you’ll learn about one listener who started a business to employ Austin musicians — the Handyband Collective.

Nonprofit aims to reverse Austin’s 1928 master plan and get SXSW money to the BIPOC community

SXSW brings in millions each year, but Black and brown Austinites don’t always benefit from the influx of money. DAWA, a local nonprofit, has put together a series of music shows and panels to elevate and direct resources to Austin’s BIPOC community. Find more information about everything happening during Vision:8291 here.

What Touring is Like Now

Musicians talk about what it’s like to tour on this side of the pandemic. You’ll hear from Jane Ellen Bryant and Daniel Leopold of Jane Leo, Eimaral Sol, Blakchyl, Matt the Electrician, Ali Holder, Sean Michael Giddings, Scott Collins + Janet Weiss and Sam Coomes of the band Quasi.

Black Artists discuss the state of the Austin Music Scene

You’ll hear from four Black musicians – Anastasia Hera, Cam the Tastemaker, Blakchyl, and Brannen Temple – about how they’ve navigated the Austin music scene, and what support they’d like to see.

All About the Census

In the latest episode, Peter Schwarz from Sound Music Cities about some of the results of the Greater Austin Music Census. You’ll also hear from Jonathan “Chaka” Mahone about why some Black community leaders didn’t feel included in the census.

Austin has a music union? Here’s what it is and how it works.

Learn all about the Austin Federation of Musicians –– how it works, what benefits it provides for freelance musicians, and why you may not know it exists.

Do Musicians Need Corporate Support to Survive in the New Austin?

Miles and Elizabeth explore different forms of corporate support for music, and look at one company that’s making a big investment in Austin music.

Take note U.S.: Canada actually gives its musicians money

Hosts Miles Bloxson and Elizabeth McQueen explore the Canadian system of support for the arts in general, and for commercial music specifically. They explain what they know to Pause/Play audio engineer Jake Perlman, with help from Jessica Deljouravesh from the Ontario Arts Council, Marina Adam from Ontario Creates, Eric Owen from Black Pistol Fire , and KUT transportation reporter Nathan Bernier.

Why doesn’t commercial music in the U.S. get any financial support outside of, say, fans?

Austin is home to a thriving music scene, but that scene hasn’t received much financial support outside of fans buying music and going to shows. That’s not uncommon in the U.S. While some art forms like the opera and the symphony get regular public and private investments, commercial music typically gets left to fend for itself. Why is that?

In the first episode of Season 4 of Pause/Play, Hosts Miles Bloxson and Elizabeth McQueen try to answer that question with the help of UT Professor Charles Carson. They also examine the idea that the best music comes from struggle. And they explore what the city of Austin owes the music scene, and how the city might better support the for-profit music sector.

Charles Carson, an associate professor of music at the University of Texas at Austin, is pictured on campus on Oct. 18, 2022, in Austin. Michael Minasi / KUT News

NFTs and Music: What is a NFT? The Song!

Here’s your very own, very fungible copy of the soon-to-be hit song, “What is an NFT?”

NFTs and Music: Minting an NFT

Miles and Elizabeth go on a journey to mint an NFT. But in order to do that they have to write and record a song, buy cryptocurrency, set up a wallet, and list an NFT for sale. But things don’t quite go as they planned.

NFTs and Music: What is an NFT?

In this first episode of our mini-season about NFTs and you’ll learn all the things you need to know in order to understand what music NFTs are and how they work.

You’ll hear from musician, DJ, composer, and founder of the web 3 community Mashibeats Mark de Clive-Lowe, and President of Blockchain Creative Labs, Melody Hildebrandt.

Bonus! A City Department just raised their rate for musicians to $200 per hour.

The City of Austin’s Economic Development Department just raised their rate of pay for musicians to $200 per hour per musician. Hear why that happened, and how they hope this change will inspire other departments.

What Mayor Adler has to say about the Live Music Fund

Hear what Austin Mayor Steve Adler has to say about the history of the Live Music Fund, why he raised concerns about the Live Music Fund Event Program, and what he thinks should guide the conversation moving forward.

The city has millions of dollars to support the Austin music scene. But who gets the money?

We’re looking at the Live Music Fund. We’ll tell you what it is, how it came to be, and we’ll explore the conversation around who gets the money.

Musician pay for live shows in Austin hasn’t changed in 40 years. Here are some other ways they’ve found to make money with music.

Austin musicians are making the same amount of money per gig as they did in 1979. In the latest episode, we look at gig pay through the years and talk to musicians Greg Clifford and Beto Martinez about how they’ve found ways to make money from music that don’t involve playing live.

Drummer Greg Clifford is pictured in his home where he produces lo-fi music on Feb. 8, 2022, in Austin. Michael Minasi/KUTX

Musician and producer Beto Martinez is pictured in his home studio on Feb. 9, 2022, in Austin. Michael Minasi/KUTX

Live music doesn’t always pay the bills. So what else can you do?

In this episode, you’ll learn how much money the average Austin musician makes per gig, and why it can be hard to make a living playing live music.

Then you’ll learn all about an alternate revenue stream for musicians — sync licensing. Nathalie Phan, founder of SoundSync Music, will explain the ins and outs of sync licensing from an agent’s perspective and Austin rapper Tee-Double will walk you through the artist’s perspective.

During Nathalie’s segment you’ll hear the song “Black Tea” by Slug, Elijah Fox, Soul Food Horns and Yasper.

During Tee-Double’s segment you’ll hear “Caped Up” from his album Local Transplant.