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October 5, 2023

Yung Bae: “Awesome Ways” (feat. Nile Rodgers)

By: Jack Anderson

With some genres, as the sound evolves over time, the elder statesman typically stick to their age bracket. But that’s clearly not the case for funk. Yeah, as future funk takes listeners further and further into the electronic realm, the old guard don’t seem to have a problem mixing with the new blood. That brings us to Yung Bae. This prolific L.A.-via-Portland producer first gained momentum a decade back at the height of the vaporwave craze. While Japanese pop culture helped define the first leg of Yung Bae’s sample-heavy discography, since graduating from self-releasing to signing with a major label at the turn of 2020s, he’s adopted a preppy visual aesthetic that really complements a renewed emphasis on classic ‘disco-funk ’70s-’80s formulas underneath ice cold modern synth sonics. And of course, as Yung Bae’s reputation for greatness only grows, his list of collaborators does as well. That’s no secret to anyone who’s skimmed the track list of last March’s Groove Continental: Side A – which finds Yung Bae teaming up with the likes of Jon Batiste, Channel Tres, and more. Well, just like the international chain of hotels from the world of John Wick, Groove Continental: Side B features a rotating door of top-tier craftspeople including Tim Atlas, Mayer Hawthorne, and oh yeah…Nile Rodgers. Yung Bae drops GC:SB tomorrow, ahead of a DJ set 9PM Friday, November 3rd at Superstition. So put some Chic in your weekend with the incredible, generation-spanning chemistry on a future disco-funk anthem whose title almost serves as a spiritual successor to “Good Times”, “Awesome Ways”.

Episodes

August 28, 2025

Adrian Quesada: “Bravo (ft. iLe)” [Live In Studio 1A]

At this point, Adrian Quesada is a man who needs no introduction. With a musical curiosity rivaling Beck, project to project, he conjures up albums thoughtfully marrying tradition or inspiration to Quesada. On both iterations of the Boleros Psicodélicos albums, Quesada explores the centuries-old, Cuban-rooted tradition of the Bolero, beautiful, dramatic love songs deep with […]

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August 26, 2025

Jane Leo: “Goldmine”

Song of the Day has returned from vacation, and I can’t think of a better way to come back than with my favorite dance-pop group this city has to offer. We’ve been following the rise of Jane Leo since its origins, and since the last time we checked in with the duo, they supported indie […]

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August 14, 2025

Team Trust: “Wuggis”

Team Trust call themselves art rock, which is somewhat fitting, but if we want to be specific, I’d call them quirk-punk. The Austin trio sounds a bit like Being Dead and your cool, Gen-X brother’s punk demos he recorded at home the summer before they wound-up on tour with Black Flag, opting for a rotisserie […]

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August 8, 2025

Russell Taine, Jr.: “Sidewinder”

Austin’s Russell Taine, Jr. blends indie rock with an Austin and Texas twist. It’s indie music powered by chords and melodies that you imagine being played at dusk in your cool friend’s backyard with a chain link fence and an oak tree in the background. It sounds like Hole In the Wall. Their latest single […]

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August 7, 2025

Tear Dungeon: “Kill For Health” [Live In Studio 1A]

Andrew Chasen. With the Disciples of Creation, he takes you to church. With A Giant Dog, he takes you church. Sweet Spirit makes you want to dance the night away, and Tear Dungeon drags you to the basement, ties you to the St. Andrew’s Cross, and says flogging and bastinado are for the faint of […]

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August 6, 2025

Jack Greenwood: “Four Walls”

Jack Greenwood’s new single is dance music for sad lads. On “Four Walls,” a song about feeling trapped, the Austin-by-way-of-Wisconsin singer and producer presents a fantastical escape, evoking the moodier side of the 80s synth. The opposing dichotomy works well here; what begins with sunny textures and a fun, melodic bass spirals into a manic […]

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August 4, 2025

Mae Powell: “Contact High”

Bay Area singer-songwriter Mae Powell‘s debut album on Karma Chief Records, Making Room for the Light, serves up a West-coast brand of vintage, pastel-colored, jazz-meets-indie-pop beauty akin to Atlanta’s Faye Webster. Her latest single “Contact High” has origins in conversations with Powell’s elderly neighbor about a song with the spirit of being high socially, but […]

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August 1, 2025

Celestine Gravely: “Kill the Heather”

Despite having a name that sounds like it belongs to a member of the Cramps, Austin’s Celestine Gravely‘s brand of rock is more attuned to the likes of Patti Smith and PJ Harvey, balancing the sounds of those eras and the power of their vocals with her own stamp of songwriting. You’ve got it all […]

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