Song of the Day

Song of the Day > All Episodes

March 15, 2023

Yazmin Lacey: “Bad Company”

By: Jack Anderson

SXSW provides an excellent opportunity to enjoy international artists right here in our own city limits. Yet for some, the city-wide wanderlust can get overlapped by a desire to discover acts from specific regions. Well, fortunately for those folks, there are a ton of origin-curated SXSW showcases scheduled for this week, both officially and unofficially. For UK music enthusiasts, consider stopping by BBC Presents: The British Music Embassy, whose eclectic across-the-pond 2023 roster includes stunning up-and-comer Yazmin Lacey. Like many singers-in-the-making, Lacey got her start in church choir before her ears caught on to hip-hop, soul, and R&B. But, like her contemporary Danielle Ponder, Lacey didn’t pursue music professionally until the late 2010s, when she was already past the “prime” age which most creatives launch their career. Nevertheless Lacey impressed us with beautiful, reactionary honesty in a three-EP progression at the turn of the past decade; 2017’s Black Moon, 2018’s When The Sun Dips 90 Degrees, and 2020’s Morning Matters. Since the start of March, Yazmin Lacey’s been riding high on her astonishing, moment-capturing hour-long inaugural full-length Voice Notes, which has already cemented her status as a neo-soul sensation. If you want to hear this modern day mashup of Lauryn Hill, Erykah Badu, and more in person, you’re in luck; Yazmin Lacey entertains our airwave neighbors KMFA at 3PM today before making a two-night run on 4th Street: 9PM tonight for British Music Embassy at The Courtyard and again 9PM tomorrow for Jazz re:Freshed Outernational at Seller’s Underground. So show some support by diving into Voice Notes on streaming or by joining the crowd downtown. Either way, you’ll find yourself in delightfully “Bad Company“.

Episodes

April 24, 2024

Viben: “Pablo Picasso”

Lyrics are a fickle field. You can be wordy as hell, hoping that at least one line sticks in listener’s minds. Or, you could just loop the hell out of some barebones sentences – guaranteed to have a lot more hypnotic staying power through sheer repetition, especially in the realm of dance music. Now let’s […]

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April 23, 2024

Ruel Thomas: “I Am Today”

Any profession requires quotas…whether that’s how many tickets you write or how many kids pass your class. And when music is your source of income, the obvious metric to measure by is quantity of shows played. But as with any creative endeavor, there’s an opportunity to move the needle in many directions, which makes “success” […]

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April 22, 2024

Drew Holcomb & The Neighbors: “Suffering”

The very nature of Americana is rooted in traditional music. But it also lies at the crossroads between folk, country, and rock. So if an Americana act decides to veer into new lanes, the choices are limited and somewhat predictable. And yet it’s still such a joy to hear an artist explore new sonic territory, […]

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April 19, 2024

Melotheory: “Breathe”

When you have roommates, at least good ones you get along with, group activities naturally arise around the house. For most folks, it’s watching TV, recreational smoking and drinking, or maybe the occasional board game. For musicians, however, having a practice space within eyeshot of your bedroom door is too good of a scenario to […]

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April 17, 2024

Rhythm&Truth and Sakari: “Bring It All Back”

We won’t say that successful collaborations should mandate a solo artist’s trajectory. But if something built together leaves people wanting more, it’s not a bad idea to get back together and sate those desires, right? Because what’s unachievable on the individual level often just needs to get catalyzed by some good collabo chemistry. So let’s […]

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April 17, 2024

Myia Thornton: “Never Good 4 Me”

Unlike the legendary machines of Stax and Motown who relied on a ton of well oiled cogs to make any R&B singer into a star, these days the new blood has to do everything themselves, talent agent or not. And while not everyone can be Prince or D’Angelo in terms of multi-instrumental discipline, bringing something […]

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April 15, 2024

Felt Out: “Crash Inside It”

When we last geeked out over Austin’s Felt Out, we broke down their foundation as that of auto-tune innovators on the cutting edge of alt-pop. And following the first anniversary of their second full-length Until I’m Light, that’s clearly still the case for these multi-instrumentalist-producers. They still sound like a next generation Imogen Heap. Their […]

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April 15, 2024

Tone Royal: “Alone” (feat. Daddy NAT)

When rappers claim to be “the best on the mic”, they’re talking about verbal skills, not their technical prowess with any specific equipment. Clearly that’s the case, since you’ll see those same people spend a whole set cupping the SM58 ’cause it turns out their mic technique actually sucks. But in terms of intimate familiarity […]

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