Song of the Day

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November 15, 2019

Yacht Rock Revue: “Step” (Jamie Lidell Remix)

By: Jack Anderson

A dozen years back Atlanta indie rockers Y-O-U played a less-than-serious set of ’70s-’80s lite rock. Well, regardless of whether it’s resurgent or undying, turns out that folks have a sincere love of the soft stuff, and Yacht Rock Revue was born.

Flash forward to 2019, where the seven-piece’s reputation has earned them performances alongside yacht legends, like key members of Player, Toto, Wings, Chicago, and more. But as we enter a new decade, YRR themselves enter another phase. Yacht Rock Revue’s just announced their first LP of original compositions, HOT DADS in TIGHT JEANS, out February 21st, and among it’s ten new tracks, HOT DADS will dock comfortably in retro rock harbor before YRR joins us in May at Emo’s. And to break out the tanning lotion early, enjoy a just-released Jamie Lidell remix of one of the album’s lead singles, “Step”!


Episodes

August 2, 2023

The Bright Light Social Hour: “Lifers Only”

Since the release of their 2010 eponymous debut, whose tracks have racked up millions of streams, The Bright Light Social Hour has become a big part of Austin’s – and by extension – KUTX’s musical character. Even after all these years (and a lineup change that keeps the core duo of Jackie O’Brien and Curtis […]

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August 1, 2023

Swimwear Department: “We Need A Place”

The turn of the millennium was an outstanding time to be an adolescent developing their music tastes, for better or worse. And while it’s easy to look back at has-been fads like rap-rock and scoff, it’s just as easy to overlook one the coolest innovations of the late nineties/early aughts: dance-punk. Thankfully that playful angst […]

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July 31, 2023

Les Imprimés: “You”

When a genre breaks out of its birthplace, it opens itself up internationally to interpreters and innovators of all kinds. So while we most closely associate the soul sound with Detroit and Memphis, especially amidst this blissful retro-soul resurgence, you can find fascinating takes on soul from corners of the globe you might not expect. […]

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July 28, 2023

A Band Called Ma: “Mountaintop”

The days of flipping through the dictionary to help decide on a new band name are long gone, and not just due to digitization. No, even amidst exponential artist multiplicity, a good chunk of modern music makers have a penchant for near banal minimalism when it comes to titling their projects, even if it makes […]

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July 27, 2023

Ash and the Endings: “Squelching Sneaks”

Some of the most upbeat, major key arrangements in blues music can still back some of bleakest yarns, ranging all the way from heartache to institutionalized oppression. So even if the traditional scales and chord changes behind with this landmark genre may not appeal to everyone, its anguished lyrical standards will always present a primitive […]

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July 26, 2023

Marcus Morales: “Damned If You Do…”

For even some of the most talented, well-established artists, working with a new producer can really shed some divine light on sonics and take things to the next level. And there’s plenty of proof in today’s premiere from Marcus Morales. Both solo and alongside his backing band The Chorizo Grease All-Stars, this singer-guitarist has been […]

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July 25, 2023

Caravan Strange: “Samra”

SXSW attracts musical acts and fans alike from all over. As a result, curated regional/national showcases usually get a pretty big draw, usually with at least a handful of locals in attendance. Yet beyond that week-long whirlwind of global sounds, us Austinites can easily take our year-round resident international acts for granted. Sure, we’ve got […]

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July 24, 2023

Diane and The Gentle Men: “Walk With Me” (feat. Alejandro Escovedo)

Although his prevalence on our playlists isn’t exactly what it used to be, longtime KUTX listeners know that historically our airwaves were all about Alejandro Escovedo. Aside from his ongoing bromance with KUTX host Jody Denberg, this San Antonio native has continued to represent a Central Texas sound across Austin, Dallas, and beyond, leaving an idiosyncratic […]

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