Song of the Day

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November 17, 2022

Trouble in the Streets: “Dreaming of Forever”

By: Jack Anderson

Phantogram. Big Freedia. George Clinton. For most folks, opening for any one of ’em would be the crowning achievement of their career. But to have shared the stage with all three, not to mention Bob Moses, Lettuce drummer/producer Adam Deitch, and other legends in under a decade? On Trouble in the Streets‘ list of milestones, those high-profile performances barely scrape the surface.

Since the mid-2010s, this Austin trio has produced societal dissonance that’s both accessible and danceable for the masses. By paving the spaces between hip-hop, R&B, pop, rock, psych, and beyond, the ferocious group’s self-described “electro tribe” sound helped them garner Austin Chronicle‘s “Best New Band” award in 2018 and third-place runner-up for “Best Electronic Act” the following year. Among acclaimed sets at SXSW, UtopiaFest, and Joshua Tree, a recent feature from frontwoman Nnedi Agbaroji with Jim Eno’s Project Traction, and one the most snicker-inducing band abbreviations imaginable, TitS is pretty much…well…

But right now the big news from these seasoned Studio 1A veterans is their upcoming LP, out next year. The record introduces Kenny Schwartz replacing co-founding percussionist Bobby Snakes, who still slithered onto the album’s lead single as a send-off. Entitled “Dreaming of Forever”, this four-minute safari of sounds (whose menagerie includes crunchy bass synth, vehement vocal harmonies, and a truly brilliant bridge section) is an enduring reminder of TitS’ idiosyncratic dynamics and an enticing glimpse of what’s to come.


Episodes

May 11, 2026

Danny Malone: “Leaves”

It’s been a minute since we’ve heard from Danny Malone. Following a bit of a hibernation period, the Austin-based singer-songwriter (and former Sonic Guild grant recipient) had a prolific songwriting year in 2025, penning over 60 songs. As he puts it, his inspiration was “a long battle between my ego and my spirit, and the […]

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May 8, 2026

Lola Bates: “Madonna Gold”

Dark, broody, and effusing forest witch energy, LA’s Lola Bates lays it all out on the table in her debut album Love and Power. A deeply intricate and intimate exploration of keeping the scales of being and sharing yourself in balance, Bates strikes piano keys like plucking heart strings, emphasized by her lush vocal harmonies […]

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May 4, 2026

Son Rompe Pera: “Reptilo”

Mexico City’s Son Rompe Pera, widely considered to be part of the impetus behind the cumbia-punk movement, have spread that gospel across 20 countries since 2019 (including a set at our SXSW Scholz Garten show in 2023 and a stop by Studio 1A last year). The group is currently on tour (their show last weekend […]

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April 29, 2026

Gran Moreno: “Aztlán” [Live In Studio 1A]

KUTX’s Artist of the Month Program is powered by Austin FC Raised in Mexico and newly transplanted to Austin, brothers Ricardo and Christian Rodríguez craft songs that feel like sonic mirages—equal parts groove, grit, and atmosphere. Their music lives at the intersection of distortion and introspection, where hypnotic riffs, heavy rhythms, and emotionally charged melodies […]

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April 28, 2026

Sweet Limb: “Dopamine”

Whether you’re on a dopamine detox or you’re getting your dopamine hit from visiting this website right now, Austin-based Sweet Limb’s latest single is for you. Over a sultry instrumental with twinkling accents and a thudding 808, Sweet Limb founder Chris Robinson offers to help you boost your dopamine – wink, wink. Sweet Limb releases […]

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April 27, 2026

Rickshaw Billie’s Burger Patrol: “Peaches”

It’s fuzzy, it’s doomy, and it’s relentless. The new single from Austin “doom-woppers” Rickshaw Billie’s Burger Patrol keeps in stride with the group’s brand of metal-meets-melodic hard rock, giving you a two-and-a-half-minute riff bomb of what’s in store for their upcoming album Ca$h Grab, out later this year. The band is out headlining a packed […]

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April 24, 2026

Mean Jolene: “Private Plane”

The new single from Ausitn power-pop outfit Mean Jolene has it all: beautifully harmonized gang vocals with a 1960’s shimmer, 90’s female rock guitar hooks and grit, and an earnest look at the double-edged sword of escapism: a necessity for self-preservation pocked with a compulsion towards innocent complacency. And there’s something about the energy of […]

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