Song of the Day

Song of the Day > All Episodes

May 10, 2024

Tobias Lund: “Let Me Know” (feat. Phono Magic)

By: Jack Anderson

Everyone’s got their favorite blue-eyed soul artists. And sure, it’s technically a derogatory term, but if you’re after some super blue-eyed soul…like so blue-eyed it’s Scandinavian, then look no further than Austin’s Tobias Lund.

This is the third time we’ve talked up Tobias, and long story short, the keyboardist-singer’s already shown a ton of talent across the soul-pop spectrum. So after a strong sequence of sultry standalone solo and collaborative singles, imagine our delight upon hearing about Tobias Lund’s debut EP, Leap of Faith, out next Thursday.

Lund plays a set Hole in the Wall 10PM that same evening with EP guests Camila Rivers and Phono Magic, plus The VYB Project alongside opener EddieAngel at 9PM and closer Chico Jones at 11PM. And just yesterday Lund lent us the album’s second lead single made in cooperation with Phono Magic, “Let Me Know”. We knew Tobias was smooth, but damn, this one just breathes baby-makin’ magic. Whichever way you lean, this erotic piece of modern R&B is an instant aphrodisiac for aural arousal.


Episodes

August 25, 2026

Jade Bird: “Lottery” [The Hole Story]

The Hole Story is powered by Austin Beerworks British singer-songwriter Jade Bird broke through in the U.S. in 2018 with “Lottery.” In this episode, she looks back at that song with a very different perspective, talks about the relationships and experiences behind her writing, and performs songs including music from her album, Who Wants to Talk […]

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August 24, 2026

Wynonna: “Am I Missing Out”

Country music legend Wynonna Judd is back with her first album in over a decade. On The Hard Truth, she collaborates with artists like Iron & Wine, the War & Treaty, and Patterson Hood. And despite her music never shying away from darker, personal themes, Judd says this new album may be her most honest. […]

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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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