Song of the Day

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June 28, 2019

Timothy Robert Graham: “Scaring the Children”

By: Jack Anderson

Although he makes up one quarter of Seattle alt-psych outfit Motopony, multi-instrumentalist Timothy Robert Graham is also a solo songwriter who’s always eager to grow. The experience of writing and touring alongside Motopony frontman Daniel Blue has especially lent itself to Graham’s patience and maturity with his craft, best heard on his 2018 sophomore album SPEAK.

Steve Aguilar (the producer behind The Head and The Heart, Damien Jurado and more) worked closely with Graham for nearly two years on SPEAK, giving life to eleven fun and introspective psych-pop-rock tracks that recall ’90s Britpop and place Graham on the same plane as modern heavyweights like Portugal. The Man. and Spoon. Timothy Robert Graham plays tomorrow night at Hole in the Wall so invite some fear into your Friday with “Scaring the Children“!


Episodes

September 21, 2022

Purbayan Chatterjee & Rakesh Chaurasia: “Pahadi”

If you’re a lover of traditional Indian music like I am, you won’t want to miss a certain concert in town this weekend. Just two weeks after the release of their seven-song full-length Saath Saath, Mumbai sitar maestro Purbayan Chatterjee and flautist Rakesh Chaurasia are set to perform 7PM this Saturday at Bates Recital Hall. […]

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September 20, 2022

Glassreel: “Compromise”

If you dig Belle and Sebastian’s brand of indie pop along with Mazzy Star’s style of alternative rock and have ever wondered what a lovechild of the two might sound like…let us introduce you to Glassreel. This Winnipeg project began as a duo between core songwriters Kelly Beaton and Trevor Graumann before rounding out a […]

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September 19, 2022

Rental House: “Sunday Scaries”

There are so many artists out there with names that are virtually un-Google-able. And if they’re from Austin, it’s not really helping their SEO. I mean just try searching “Hikes Austin”…you’re not gonna find music. Hell, even Spoon might’ve had some trouble in their earlier days. Which brings us to Rental House. No, it’s not […]

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September 16, 2022

Chancy: “Angels, Darlings”

I suspect that when many people of my generation hear the word “Chancy” out loud, they probably think of that egg loving Pokémon rather than the adjective. And while that demographic tends to have strong feelings about the “original 151”, collectors of indie-pop-rock ought to add Chancy to their musical Pokédex. This Dallas quintet only became Chancy after they […]

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September 15, 2022

El Mató a un Policía Motorizado: “Yoni B”

If you weren’t aware, today is the first day of Hispanic Heritage Month, which brings up an interesting discourse. Surface level listeners may experience a kind of culture shock when they hear the Spanish language outside of the subliminally-associated genres; if it’s not cumbia, reggaeton, or traditional Latin, it might sound “out of place”. And […]

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September 14, 2022

Garrett T. Capps & NASA Country: “People Are Beautiful”

Steve Miller Band. Jamiroquai. Kacey Musgraves. They’ve all written songs called “Space Cowboy”. And considering the continued popularity of those tunes, it’s safe to say that “space cowboy” is no longer a derogatory term for a shameless stoner. No, it’s something musicians want to wear on their sleeve. Which brings us to Garrett T. Capps […]

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September 13, 2022

Shadow Work: “Warm Tones”

There’s no doubt; Denver’s got a splendid music scene. Yet despite an artist multiplicity that gives Austin a run for its money, it’s rare to come across an act that captures several sounds of the city simultaneously. So if you want a calculated combo of post-hardcore guitar, jazz-injected percussion, and turbulent pride-of-punk bass riffs, sign […]

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September 12, 2022

Nick Wallisch: “The Legend of El Champion”

Nick Wallisch and his ever-growing cache of instruments have been a staple of the Live Music Capital for nearly a quarter century now, complete with crushing performances on drums, bass, piano, ukulele, and even penny whistle. That’s not to say Wallisch doesn’t play guitar as well (of course he does) but throughout recent memory he’s […]

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