Song of the Day

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February 23, 2023

The Selfless Lovers: “So Far Gone”

By: Jack Anderson

When the phrase “piano man” comes up, we think of one song and one song only. Which is kind of a bummer, because there are some truly incredible performers who fit the bill here in Austin that frankly put Billy Joel to shame. Among the mightiest on the ivories like Red Young, Dr. Joe, and D-Madness, there’s also the relatively young Nik Parr. The thing about Nik is that he’s not only mastered double duties on vocals and piano, he also manages to juggle some sax in there too, all without breaking a sweat. Along with his outfit The Selfless Lovers, Nik’s stayed up to par with Austin’s longstanding legacy as a hub for blues rock. But true to their title, The Selfless Lovers go above and beyond by touching on erogenous zones of classic soul, southern, and funk, positioning their style basically wherever listeners want it the most. And although it may not sound as sexy as all that, The Selfless Lovers latest LP Promised Land stems from Parr’s mid-twenties post-stroke revelations. A spiritual reflection on the American Dream, Promised Land is best enjoyed front to back across twelve tracks in its 48-minute entirety. Parr promises a payoff if you do so, but if the live scene is more your vibe (which is good, since The Selfless Lovers average at about one gig every 2-3 days), you’ll want to take part in a live concert filming tonight at The Continental Club. Henry Invisible warms the crowd at 9:30, Isaac Sloane wraps things up at midnight, and The Selfless Lovers take the stage at 10:30PM. Need a solid commuting track to help you get there? No problem. Like a cut song from the original Miami Vice TV soundtrack, “So Far Gone” soars with yacht-rock keyboard stabs, jazzy chord changes, some nice disco drum upbeats, and oh yeah, an appropriately-’80s-style sax solo square in the middle.

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April 21, 2026

Reyna Tropical & Xiuhtezcatl: “Camino”

Cumbia meets Afro-indigenous rhythms in this one-off from Mexican-American artist and activist Xiuhtezcatl and duo Reyna Tropical. Debuted last month at Vive Latino, one of Latin America’s biggest music festivals, the song “bridges the worlds of Indigenous wisdom, diaspora, community, Queer Love and Afro Mexico and the unity and pathways that these bridges are establishing […]

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April 17, 2026

Club Coma: “You Can Take My Spirit”

Austin’s Club Coma are back, this time with more tricks in their bag and an added touch of fuzzy sweetness, adding Lani Thomison AKA Street Peach to their club mix. The new, absolute banger “You Can Take My Spirit” sees the quartet extending the fazers into experimental territory, adding a little crunch to the beat, […]

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April 16, 2026

Billie Marten: “Feeling” [Live In Studio 1A]

Billie Marten is an English singer-songwriter known for her delicate folk sound, warm finger-picked guitar, and quietly powerful songwriting. In 2025 she released her fifth studio album, Dog Eared, on Fiction Records, expanding her signature folk style with richer arrangements. Marten’s music blends elements of folk, indie, and jazz-tinged pop, creating an intimate and timeless […]

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April 14, 2026

I’MMORTAL: “Floor Siren”

Have you ever needed a dance break in the middle of a Tuesday afternoon? Today’s Song of the Day, “Floor Siren,” transports listeners to the dance floor no matter what day or time it is. New York-based artist I’MMORTAL builds an experimental, deconstructed club sound – similar to contemporaries such as COBRAH and Shygirl – […]

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April 13, 2026

Eyelid Kid: “What Happened”

Born and raised in Austin and now based in L.A. (after a stint in Brooklyn), Eyelid Kid is back with more of that smooth, bedroom pop bop action. Produced by Flora and Fawna’s Mason Ables, “What Happened” is cozy and laid back with a midtempo pulse of drum machine momentum and affixed with lots of […]

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April 9, 2026

Ratboys: “What’s Right?” [Live In Studio 1A]

Formed in 2010, Ratboys began as a humble duo by Notre Dame Freshman Julia Steiner and Dave Sagan. By 2017, they’d become a fully-fledged four-piece, relocated to Chicago, and were opening for acts like Soccer Mommy and Diet Cig with heaps of critical praise to line their nest (I assume all ratboys build little nests […]

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