Song of the Day

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August 2, 2023

The Bright Light Social Hour: “Lifers Only”

By: Jack Anderson

Since the release of their 2010 eponymous debut, whose tracks have racked up millions of streams, The Bright Light Social Hour has become a big part of Austin’s – and by extension – KUTX’s musical character. Even after all these years (and a lineup change that keeps the core duo of Jackie O’Brien and Curtis Roush intact), this quintet continues to innovate and inspire awe within the indie-psych sphere. To the point that it seems like Bright Light Social Hour’s time to shine could easily span several more decades. That “in for the long haul” momentum’s helped the band out on a far-reaching North American tour lasting through November, one that extends to both Canada and Mexico, and includes a stop at the Mohawk along with Good Looks on September 30th as part of KUTX’s 10th Birthday Concert Series. The occasion? TBLSH’s fifth full-length, Emergency Leisure, out today. Flirting with elements of French disco, experimentalism, and a whole slew of intense emotions, Emergency Leisure marks the start of an auspicious new era for this five-piece, albeit atop the familiar “Texan trippy” formulas we’ve fallen for with each preceding LP. And just like its title implies, Emergency Leisure is a potent dose of cosmic R&R for your ear drums, so if you’re dire need of a vacation but don’t have the bandwidth, by the time you get to “Lifers Only” you’ll feel like a whole load’s been lifted off. Despite its monotonic robot intro, there’s a ton of human heart in this effects-drenched progressive piece of endurance. And right around the two minute mark, TBLSH pulls the rug out with poignant Pink Floyd vibes – further proof of what the late great John Aielli described as a “sweet but sinister” style, a perfect description of Bright Light’s sibylline vibe.

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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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