Song of the Day

Song of the Day > All Episodes

November 4, 2022

Souls Extolled: “Just Dreams”

By: Jack Anderson

On behalf of KUTX, here’s a confession of sorts: we could lean a little more on the heavier stuff. And I’m not saying that just because I’m rocking the long, windmill-ready thrash hair right now. There really are some sensational prog metal (or at least hard rock-adjacent) songwriters sprinkled across Austin. Exhibit A: Souls Extolled. This three-piece exercises a regiment of all kinds of stuff; indie, alternative, grunge, ska, and punk have all been on the platter since the group’s inception in 2019. Souls Extolled plans on springing right into 2023 with their next full-length MMXXII or “twenty twenty two” phonetically. The record is set to drop on New Year’s Day 2023 and as such, Souls Extolled is expected at venues across the country over the next few weeks, with a tour kickoff 8PM tonight at The Mohawk (ahead of The Dead Coats at 9 and The Holy Death Trio at 10). Can’t convince your ear drums to bear the Atlas task of a full in-person set? No problem. Just stretch out into the aether with MMXXII‘s incandescent and honestly almost-operatic eleventh offering, “Just Dreams”.

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October 28, 2026

Masahiro Okamura: “A Wonderful World Of Death”

Tokyo-based singer-songwriter Masahiro Okamura explores the idea of finding peace in death on “A Wonderful World of Death,” a dreamy blend of dream pop and indie electronic. Featuring strings from Brooklyn-based violinist Pete Lanctot, the track is the focus song from Okamura’s debut album, Foehn

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October 27, 2026

Devon Gilfillian: “Time” [Live In Studio 1A]

We’ve been hitting that new Devon Gillfilian album Time Will Tell pretty hard this year and for good reason: it’s catchy, soulful, and sometimes downright cinematic. When he came through Studio 1A earlier this month and his touring pianist Jay Blaylock was already poised at our Steinway, our Assistant Program Director Deidre Gott had a […]

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October 22, 2026

Sophie Seng: “Marionette”

Halloween is 9 days away (but who’s counting?) and today’s Song of the Day, “Marionette,” will certainly put you in the mood. Sophie Seng, Austin-based singer and saxophonist, tells the story of the struggle for freedom and its subsequent constraints through the perspective of a marionette puppet. The vivid imagery of a marionette finding its […]

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October 21, 2026

Materializer: “Unwind”

Nashville duo Materializer take listeners on a seven-minute-plus journey with “Unwind,” a heavy, psychedelic track that knows when to pull back and when to hit hard. Built around shifting guitars, hypnotic drones, and melodic vocals, the song moves between brooding tension and explosive riffs without losing its sense of atmosphere.

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October 20, 2026

Chief Cleopatra: “Waves”

Former KUTX Artist of the Month Chief Cleopatra is back with their first single in two years. Following in the footsteps of 2024’s pop-forward “Cold Dancer,” the group continues to toss aside their laurels, instead pushing deeper into more experimental territory in their most collaborative song to date. “Waves” is a pinnacle of art-pop, evoking […]

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October 19, 2026

Late Wife: “Body”

Since we last touched base here with Austin’s Late Wife, the band have been riding that “cream rising to the top” high. They’ve opened for …And You Will Know Us By the Trail of Dead, performed at this year’s Tiny Desk Concert tour’s Austin stop, and they’ve been spinning around the KUTX airwaves, all leading-up […]

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October 15, 2026

LeTrainiump: “It’s Already Over”

“It’s Already Over” was inspired by LeTrainiump’s struggle to find his footing in Austin. After feeling like an outsider, his daughter reminded him to let go of the little things and to move forward. That simple moment became the heart of the song: Life moves minute by minute, and sometimes you just have to stop […]

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October 14, 2026

Houndmouth: “Heavy Eyes” [KUTX Live At ACL 2026]

Today’s Song of the Day comes from Indiana’s Houndmouth. “Heavy Eyes” is a rootsy, blues-soaked rocker that reflects on the people you meet and the stories they leave behind, with its easygoing groove and gritty vocals.

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