Song of the Day

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July 13, 2023

Silver Hour: “Star”

By: Jack Anderson

In 2018, when Texas native Kacey Musgraves released her landmark album Golden Hour she breathed new life into the term – one that typically describes those brief windows of sunrise and sunset that’s made for so many magic cinematic moments. But we’re willing to wager that “silver hour” is outside the bounds of most folks’ lexicon. The first meaning trails its golden counterpart – a fleeting period of post-sunset luminescence for waterfront communities. The second definition is a bit more morbid – used by healthcare workers in reference to the 30 minutes immediately before and after a patient passes away. And although there’s a common thread between those two – the sense of light at the end of a cycle – there’s also a Texas trio eager to make like Musgraves and give their namesake a glow up. Just like that reassuring glimmer on the onset of darkness, Austin three-piece Silver Hour started out early on in the pandemic between longtime friends as means of staving off the insanity of isolation and keeping the creative juices flowing. Since then, Silver Hour’s steered clear of genre constraints, instead incorporating everything from retro film soundtracks to funk, jazz, and hard rock into their vintage-meets-modern M.O. of songwriting. But now that Silver Hour’s bulked up their scene legs with their fair share of live shows, they’re finally extending their sound past the stage and onto the shores of streaming services. Ahead of their sophomore effort “Desert Doomer” that drops next Friday, “Star”is the shimmering first node for Silver Hour’s developing constellation of singles. Soon after a slide guitar intro that could segue into pretty much any genre, “Star” orbits Dark Side era Pink Floyd thanks to Jake Helpinstill’s drum fills, James LeBlanc’s bass licks, and Michael Moretta’s sweet-but-sinister vocals that hover above blues-inspired guitar chords, evoking the styles of Nick Mason, Roger Waters, and David Gilmour, respectively…albeit with a little bit of Black Angels on top due to a distorted six-string solo that soars through the bridge.

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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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