Song of the Day

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March 12, 2025

Real Sickies: “Should’ve Seen It Coming”

By: Taylor Wallace

Raucous, infectious, and powerhouse are all words used to describe Real Sickies. Not much of a surprise coming from the band Green Day’s Billie Joe Armstrong has deemed his “favorite Canadian punk band.”

The Edmonton-based band has been known for years for their relentless touring schedules and sublimely noisy sound comparable to everyone from Buzzcocks and Devo to Ramones and even a little bit of vocal inspiration from Led Zeppelin. Then you throw-in physical styling akin to the Cramps, and buddy, we’re rolling.

The group’s fifth album, Under A Plastic Bag, comes out this Friday, illustrating a new stride for Real Sickies. They’ve added more complex, experimental textures to their fun, pop-punk sound that’s already perfectly portioned for a head-bopping pick-me-up any day, any time.

“Should’ve Seen It Coming,” out now, is on Under A Plastic Bag, out March 14th on Stomp Records.


Episodes

August 7, 2025

Tear Dungeon: “Kill For Health” [Live In Studio 1A]

Andrew Chasen. With the Disciples of Creation, he takes you to church. With A Giant Dog, he takes you church. Sweet Spirit makes you want to dance the night away, and Tear Dungeon drags you to the basement, ties you to the St. Andrew’s Cross, and says flogging and bastinado are for the faint of […]

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August 6, 2025

Jack Greenwood: “Four Walls”

Jack Greenwood’s new single is dance music for sad lads. On “Four Walls,” a song about feeling trapped, the Austin-by-way-of-Wisconsin singer and producer presents a fantastical escape, evoking the moodier side of the 80s synth. The opposing dichotomy works well here; what begins with sunny textures and a fun, melodic bass spirals into a manic […]

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August 4, 2025

Mae Powell: “Contact High”

Bay Area singer-songwriter Mae Powell‘s debut album on Karma Chief Records, Making Room for the Light, serves up a West-coast brand of vintage, pastel-colored, jazz-meets-indie-pop beauty akin to Atlanta’s Faye Webster. Her latest single “Contact High” has origins in conversations with Powell’s elderly neighbor about a song with the spirit of being high socially, but […]

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August 1, 2025

Celestine Gravely: “Kill the Heather”

Despite having a name that sounds like it belongs to a member of the Cramps, Austin’s Celestine Gravely‘s brand of rock is more attuned to the likes of Patti Smith and PJ Harvey, balancing the sounds of those eras and the power of their vocals with her own stamp of songwriting. You’ve got it all […]

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July 31, 2025

Allyse: “Lesson”

Austin’s Allyse crafts R&B-infused pop charms to pair with her sometimes self-empowered and sometimes vulnerable songwriting. The military brat fuses all of the cultural touchstones experienced throughout her childhood, her most sensitive song to date. “Lesson” is about just that, specifically lessons around relationships. How to not hurt others, how to be strong when you’re […]

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July 30, 2025

Hide and Shine: “Can’t Wait to Catch Fire”

If you were going to try to stuff the new album from New York trio Hide and Shine into a box, it could only be a bento. The different sonic compartments, ranging from sunny indie rock to fuzzy post-punk to more meditative, goth-tinged post-punk, with the themes of metamorphosis and humbled ego pulling the meal […]

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July 25, 2025

LYNN: “Slow Dreamz”

Kileen-based rapper LYNN has bars for days and enough butter in her emotive, croony tunes to get Kerbey Lane through an Easter weekend brunch shift. By the time her debut EP Middle of Madness came out last year, she’d already added opening slots for CupcakKe and Three 6 Mafia’s DJ Paul, and the album landed […]

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July 24, 2025

J’Cuuzi: “Fame By Death” [Live In Studio 1A + Music Video Premiere]

All month long, we’ve had the pleasure of familiarizing you with one of Austin’s most ostentatious acts, J’Cuuzi. The dance punk duo of Gorge Bones and Trey Razeldazl have an insatiable appetite for the stage and pushing the boundaries of how they use it to their. Watching the faces of new audiences as they take […]

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