Song of the Day

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March 4, 2022

Nnedi Nebula Agbaroji: “How High” (prod. Emilie Basez)

By: Jack Anderson

You may have already read into Project Traction earlier today, but if you haven’t, here’s the gist. Producer-Engineer Jim Eno of Spoon and Public Hi-Fi Studios is tapping into his resources at hand to diminish the frustrating imbalance between men and women behind the board. The stats are pretty telling – women only represent under 10% of engineers and producers in the music industry – but Eno’s initiative puts his diverse rolodex to good use.

On Project Traction, Eno pairs one Austin producer-engineer with another rising Austin songwriter, for a total of eight female/non-binary-led collaborations. You’ll hear familiar Austin icons like Gina Chavez, Mariclaire Glaeser, and Sara Houser translate their prior studio experiences into these recordings. With its launch so close to International Women’s Day, Project Traction has a big potential to level out gender disparity in the studio and make the most of these infectious new tracks. First out of the gate for Project Traction – Ley Line guitarist-vocalist Emilie Basez teaming up with Nnedi Nebula Agbaroji (of Trouble in the Streets) for their retro-style synth-pop single, “How High”.


Episodes

May 24, 2024

The Cuckoos: “Dirty Pictures”

If you mainly draw inspiration from older generations, after taking a lengthy break, you may find that the needle on your tastes has moved forward in time too. At least that’s what we’re seeing unfold with Austin project The Cuckoos. Ostensibly the one-man band (who also operates as a four-piece) of flock leader/multi-instrumentalist/songwriter/producer Ken Frost, […]

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May 23, 2024

Grandma Mousey: “When I’m Not There”

Ever since we first caught sight of them in 2022, we’ve continued to make room for Grandma Mousey in our wheelhouse, even after their initial nest expanded from three members to five. Yeah, Granny M’s grown on us so much over the past couple of years, that we don’t mind ratting on their talent again […]

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May 22, 2024

Carson McHone: “I Couldn’t Say It To Your Face”

No matter how much success a young artist finds down the line, there’ll always be opportunities to pay respects to their predecessors and contemporaries. Whether it’s an early choice (Nick Cave & The Bad Seed’s Kicking Against the Pricks), a mid-career reset (Souxsie and the Banshees’ Through the Looking Glass), a later vocation salute (Bruce […]

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May 21, 2024

Indoor Creature: “Cross The Line”

Although we’re bound to find a silver lining eventually, when we take the time to really look at the world we live in – gross injustices, grievous atrocities, shared struggles and all – it can make staying inside super appealing. And for sonic creators, as long as the bleakness doesn’t make the music meek, the […]

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May 17, 2024

Barbara: “For Good Measure” (co-prod. Briana Harris)

Save for those with seemingly disposable resources, often nonprofits get stuck in their original stomping grounds. So when a local endeavor expands enough to inspire, incorporate, and impact folks far beyond their initial reach, it’s cause for celebration. That brings us back to Project Traction, spearheaded by our personal favorite philogynist audiophile – Spoon drummer/Public […]

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May 16, 2024

Stephanie Rodd: “Stronger Than Ever”

For us uncultured Americans, we tend to invent a caricature when we hear about a “French songstress”. Yes, we let our assumptions automatically paint a picture of a smoky nightclub against a traumatic war torn backdrop, a slender figure in haute couture wardrobe, cigarette in one hand, microphone in the other, and lyrics toutes en […]

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May 15, 2024

Wild Wren: “I’M A BIRD”

Back in the day, if you were to walk around downtown, you’d hear one predominant sound spilling out of at least every other 6th Street venue: blues rock. But as the landscape of the “Live Music Capital of the World” has evolved and diversified, frankly, so has the state of blues rock itself. And if […]

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May 14, 2024

Genuine Leather: “Getting Used to the Feel”

For a lot of self-made bedroom producers, lo-fi isn’t just a creative choice; it’s a necessity. Yeah, not everyone has the technical prowess, access to equipment, or funding to match the pristine masters of their commercial radio contemporaries. But when lo-fi folks like that gain the resources to make the leap up, it’s hard to […]

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