Song of the Day

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July 18, 2023

Natalie Price: “Done” (feat. Stephanie Lambring)

By: Jack Anderson

With the constant allure of streaming numbers, pop music trends, and viral opportunities clouding contemporary release strategies, the loudest, most heavily-promoted voices are often the most inauthentic as well. Not so for Fort Worth-born, Austin-based singer-songwriter Natalie Price, whose unabashed passion for captive melodies and confessional lyrics only grew throughout a taciturn religious upbringing, where songwriting was deemed blasphemous and remained verboten throughout a formative age. But by fostering that once-forbidden fruit, Natalie’s instilled a method of making music strictly for her own sense of solace and self-expression rather than as an expense for digital metrics and fleeting engagement.

I mean, the moment we finished Price’s 2019 EP Through the Fog, we instantly recognized Natalie’s knack for staying frank in a way that thrills and chills, basically embellishment-free. Down to how she describes her style as “Ameri-kinda” (as opposed to tossing her idiosyncratic sound straight into the overarching Americana armoire that suits so many), Natalie Price is real as hell, plain and simple. So it’s fitting that her upcoming debut full-length is an eponymously-titled one, whose new tunes have attracted an upper echelon of ATX collaborators like David Ramirez, Lang Freeman, and Jaimee Harris alongside Nashville notables like Mary Bragg and Stephanie Lambring.

At the conclusion of June, ahead of Natalie Price‘s arrival on September 29th, Lambring and Price twinned up for an attestable alt-rock aura on the album opener and lead single, “Done”. So before catching her 7:30PM this Saturday at Calmen Thread, hear Price recoup the opportunity cost of pursuing music professionally in four minutes flat. Because after absorbing this harmony-heavy, distortion-dabbling, love-tampered earworm, you might just wonder what’s been “Done” to you too.


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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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