Song of the Day

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July 18, 2018

MOURN: “Fun at the Geysers”

By: Jack Anderson

When a band forms out of hometown friendship, the music usually makes you smile. There’s no exception with Catalonia-bred, Barcelona-based quartet MOURN, who put out their self-titled debut when the three eldest members were only eighteen. They may be young but MOURN continues to channel post-rock and alternative punk of past generations, fitting snugly in a playlist between PJ Harvey, Pixies, and Patti Smith.

At a rate of an album a year, MOURN showed off their rapidly maturing energy and contagious energy last month with their fourth studio album Sorpresa Familia. MOURN continues their national tour of the U.S. with a show next Tuesday at Barracuda with Chastity and Thin Skin and you can get riled up to one of the shortest and best from MOURN’s dozen new tunes, “Fun at the Geysers”!


Episodes

October 2, 2025

Warmduscher: “Midnight Dipper” [Live In Studio 1A]

For ten years, London’s Warmduscher have been tantalizing audiences with their raucous brand of post-punk, weaving throbbing guitar melodies with elaborate stories about ridiculous run-ins with characters of all stripes. It’s like getting a dive bar soundtrack to the best stories you’ve heard from your favorite regular. Despite ten years and five albums under their […]

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October 1, 2025

Kelly Willis: “I Don’t Care”

Kelly Willis has been a stalwart of Austin’s country and Americana scene for decades, so it’s no surprise to find her on Grey DeLisle’s new project: IT’S ALL HER FAULT: A TRIBUTE TO CINDY WALKER. For the compilation, Willis chose the 1955 tune “I Don’t Care,” written by Walker and Webb Pierce, that spent 12 […]

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September 29, 2025

The Lonesome Heroes: “Sunshine Come”

Despite the name, Austin’s the Lonesome Heroes have been releasing music and playing shows for a whopping 21 years. To mark the occasion, they’re gifting their audience with a bit of their live faire with Live & Lonesome at the Purple Bee, a collection of songs recorded at the hybrid recording studio and live concert […]

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September 26, 2025

Annabelle Chairlegs: “Ice Cream on the Beach”

It’s been a minute since we checked-in with Austin surf-psych outfit Annabelle Chairlegs. And honestly, “Candy Apple Red,” is still living in my head rent-free five years later. Now the group (fronted by Lindsay Mackin) is back after a three-year hiatus, and what better way to come back than with an album produced by Ty […]

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September 25, 2025

S.G. Goodman: “I’m In Love” [Live In Studio 1A]

Beyond being a musician, S.G. Goodman is an educator. Truly, how many of us knew about the old Appalachian tradition of planting by the moon? Using moon phases and their gravitational pull to determine what crops to plant when (beans, peas, and eggplant during the second quarter, if you were wondering). But the moon’s power […]

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September 24, 2025

Datura: “Ain’t No Honky Tonks”

“There ain’t no honky tonks in Philadelphia,” laments Jessica Pyrdsa AKA Datura. The latest single from the Lockhart-based artist’s upcoming album, Saint Cecilia, takes a pivot from her piano-driven, jazz-meets-art-pop sound for this equally cinematic, blues-leaden country hall slow dance that feels like a waltz in all but time signature. Here, her skills as a […]

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September 23, 2025

Elijah Delgado: “Hide + Seek” [HAAM Day Re-Heat]

Austin native Elijah Delgado has been releasing his self-proclaimed indie rock lullabies since 2021. In that time, he’s performed with national acts like Sister Hazel and Dayglow and has appeared at Old Settler’s Music Fest and Utopiafest. And today, he’s got a HAAM Day set for your downtime lunchtime listening. “Hide + Seek” showcases Delgado’s continued progression […]

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September 19, 2025

Parker Woodland: “Get Me to the Show”

Austin’s Parker Woodland are back with potentially their rawest song yet, and certainly my favorite one to date. Standing firmly in their vintage pop-punk sound comes “Get Me to the Show,” a punchy tune packed with earwormy hooks and raw, female-led energy fueled by Erin Walters’s signature vocals pivoting between pop harmonies and Sleater-Kinney-like attitude […]

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