Song of the Day

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August 27, 2020

Mo’Ju: “Put It On Hold”

By: Jack Anderson

It’s been a couple years since we’ve heard from Indigenous Australian Mojo Juju. But she’s not gone for good; instead she’s simply contracted her moniker and reemerged as Mo’Ju.

The abbreviated handle comes alongside her first single since her 2018 album Native Tongue, and though this new one is decidedly more mainstream than her pre-existing discography, it’s still got the candid introspection that makes Mo’Ju great. “Put It On Hold” also earns some major bonus points from its co-writer Clams Casino, who’s left his mark on the track’s funk-inspired electronic swing.



Episodes

August 23, 2022

Jordan Hasto: “Blood Red Moon”

For many artists, you can pretty much determine their main influences based on a cursory first listen. Safe to say though, it’s much more stimulating when you can’t quite crack the code, only figuring out the formula when you learn about the musicians’ role models, like the last piece in a puzzle. That’s been our […]

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August 22, 2022

Susannah Joffe: “In Your Room”

College years are often the most formative for young musicians who are eager to break out of the rigidness of academia and into the boundless world of “adult” songwriting. And typically it’s not until after graduation that these creatives can fully re-commit to their craft and progress their inventiveness. People like singer Susannah Joffe, who […]

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August 19, 2022

Jeremy Nail: “Open Door”

Yesterday we celebrated the intrinsic ingenuity of human creativity, but we didn’t touch on one of the most important aspects: writing your way through trauma. It’s a healing property that goes all the way back to the ancient storytelling tradition of African percussion, but for Austin-based singer-guitarist Jeremy Nail, the weightiest wounds were his 2012 […]

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August 18, 2022

RLTVS: “New Orleans”

Here’s the biggest understatement you’ll read today: creativity is an incredible human asset. We reach into the aether and pull out something that previously didn’t exist. But in the eyes of consumers and curators alike, that’s only half the battle. For them, bringing the abstract into fruition as a tangible, easily-accessible document is what separates […]

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August 17, 2022

Exotic Fruits: “Panda Vision”

Aside from poignant politics, pulsating synths, and plenty of fuzz pedal, it’s not all that easy to define post-punk. Even when you dive into the minutiae of music glossary terms, there’s still a sprawling spectrum of post-punk ranging from angular, analogue noise to straight up digital bass and beats. Fortunately there are also forays like […]

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August 16, 2022

Upper Level Lows: “She Got Style”

Now I don’t want to jinx the elements, but with only one triple digit high in the forecast for this week, it seems like we might finally be cooling down just a bit. So if you’ve been in sweaty solitude and need to take advantage of this (presumably brief) seasonal respite, we’ve got a couple […]

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August 15, 2022

Phil Hurley: “Failing Heart”

In the state of contemporary recording, session EPs are a pretty refreshing concept. By limiting yourself to one space and removing any access to punch-ins, session records evoke the “one-take” magic of century-old methods, back when capturing an authentic live performance was the industry standard. Phil Hurley‘s experienced the best of both, having tracked with […]

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August 12, 2022

Daniel Tashian: “Night After Night”

In 2019 I got a big kick out of Kacey Musgraves’ “Album Of The Year” Grammy acceptance speech for Golden Hour; it was so heartwarming to see a future country superstar acknowledge her trustworthy team, whose efforts took a record with little hype or radio recognition all the way to the top. And if you […]

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