Song of the Day

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May 2, 2024

Mikky & The Doom: “Garbage, USA”

By: Jack Anderson

In most situations, if you got it, flaunt it. But in an industry that demands infinitely more from your ears than from your eyes, if the hottest person on the planet doesn’t have the pipes to match their looks, they probably don’t have a shot at succeeding as a singer.

So let’s talk newcomer Mikky Rib and her Austin outfit Mikky & The Doom. A quick stroll through the band’s Instagram instantly tips you off that sex appeal is core to their brand. But with a proven ability to parrot the timbres of Amy Winehouse, Stevie Nicks, Gwen Stefani, and Lana Del Rey (all of which influence her own unique sound) in an uncanny way, their eponymous frontwoman can’t be written off as just eye candy.

This year Mikky & The Doom have been following a roadmap to their debut studio EP Garbage, USA. Produced entirely by our April 2018 Artist of the Month Mobley, this introduction explores low-light garage rock, hook-driven indie, and sex-positive electro-pop while lyrically relishing in all kinds of societal litter. There’ll be a few stops on the way before the album’s May 17th release date, including two more lead singles, a show 8PM next Thursday at The 13th Floor Alongside Jeremiah Jackson and Scotty B and The Hive, and an appearance at Hot Luck Fest on May 24th. Given that growing population for Garbage, USA, you’re just three drum stick clicks away from the record’s title track, because it’s anything but trash. An anarchistic, pyromaniac anthem, the catchy-as-hell “Garbage, USA” sounds like The Strokes woke up with a little extra dissonance in their system, heavily-processed instrumentation, pop-informed production, radio-ready brevity and all.


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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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