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September 23, 2019

Marco Benevento: “Baby Don’t Make Me Wait”

By: Jack Anderson

The term “experimental” gets thrown around a lot, especially with younger artists who are hesitant to aim for anything on the genre dartboard. But after two fruitful decades cemented in the New York experimental jazz-rock scene, the label definitely fits multi-instrumentalist songwriter Marco Benevento. This oddball virtuoso has never felt comfortable sticking to one sound, so its no surprise that Benevento’s got some eye-opening grooves on his seventh solo album, Let It Slide.

Benevento tosses caution to the wind on Let It Slide, ditching his producer’s hat for the first time ever in favor of Lee Fields/The Arcs collaborator Leon Michels. The result is a baker’s dozen of eclectic styles, marked by Benevento’s care-free improvisation, a newfound devotion to lyrics, and a high enough production quality to rank among Aja and Dark Side of the Moon. Let It Slide is out as of last Friday, Marco Benevento kicks off a national tour next month, and right now you can jam out with “Baby Don’t Make Me Wait”!


Episodes

September 1, 2025

Grackles: “There Will Be Time”

Well howdy! Happy Labor Day! The weather may or may not be participating in our final romp of summertime, but Austin’s Grackles are here to make the day sunny despite Mother Nature. What began as a side project made up of touring and studio musicians for A-list artists such as the Chicks and Paul Simon […]

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August 28, 2025

Adrian Quesada: “Bravo (ft. iLe)” [Live In Studio 1A]

At this point, Adrian Quesada is a man who needs no introduction. With a musical curiosity rivaling Beck, project to project, he conjures up albums thoughtfully marrying tradition or inspiration to Quesada. On both iterations of the Boleros Psicodélicos albums, Quesada explores the centuries-old, Cuban-rooted tradition of the Bolero, beautiful, dramatic love songs deep with […]

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August 26, 2025

Jane Leo: “Goldmine”

Song of the Day has returned from vacation, and I can’t think of a better way to come back than with my favorite dance-pop group this city has to offer. We’ve been following the rise of Jane Leo since its origins, and since the last time we checked in with the duo, they supported indie […]

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August 14, 2025

Team Trust: “Wuggis”

Team Trust call themselves art rock, which is somewhat fitting, but if we want to be specific, I’d call them quirk-punk. The Austin trio sounds a bit like Being Dead and your cool, Gen-X brother’s punk demos he recorded at home the summer before they wound-up on tour with Black Flag, opting for a rotisserie […]

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August 8, 2025

Russell Taine, Jr.: “Sidewinder”

Austin’s Russell Taine, Jr. blends indie rock with an Austin and Texas twist. It’s indie music powered by chords and melodies that you imagine being played at dusk in your cool friend’s backyard with a chain link fence and an oak tree in the background. It sounds like Hole In the Wall. Their latest single […]

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August 7, 2025

Tear Dungeon: “Kill For Health” [Live In Studio 1A]

Andrew Chasen. With the Disciples of Creation, he takes you to church. With A Giant Dog, he takes you church. Sweet Spirit makes you want to dance the night away, and Tear Dungeon drags you to the basement, ties you to the St. Andrew’s Cross, and says flogging and bastinado are for the faint of […]

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August 6, 2025

Jack Greenwood: “Four Walls”

Jack Greenwood’s new single is dance music for sad lads. On “Four Walls,” a song about feeling trapped, the Austin-by-way-of-Wisconsin singer and producer presents a fantastical escape, evoking the moodier side of the 80s synth. The opposing dichotomy works well here; what begins with sunny textures and a fun, melodic bass spirals into a manic […]

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August 4, 2025

Mae Powell: “Contact High”

Bay Area singer-songwriter Mae Powell‘s debut album on Karma Chief Records, Making Room for the Light, serves up a West-coast brand of vintage, pastel-colored, jazz-meets-indie-pop beauty akin to Atlanta’s Faye Webster. Her latest single “Contact High” has origins in conversations with Powell’s elderly neighbor about a song with the spirit of being high socially, but […]

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