Song of the Day

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November 13, 2018

Lindi Ortega: “The Comeback Kid”

By: Jack Anderson

With the current popularity of Red Dead Redemption IIGodless, and Westworld, Nashville singer Lindi Ortega couldn’t be more at home. Over the past two decades, this Toronto-born songwriter has wowed international audiences with her soaring vocals and jaw-dropping skills on guitar and piano.

Earlier this year Ortega released her fifth full-length, Liberty, a Spaghetti Western-inspired record that sounds somewhere in between Ennio Morricone and Emmylou Harris. Lindi’s lyrics simultaneously embrace and challenge the Western mythos on Liberty (and again on Liberty: Parkhill Sessions), and wraps with Ortega riding off into a sunset of seductive sonics. Lindi Ortega performs tonight at The Parish, so be quick on the draw with a free download of Liberty’s midpoint, “The Comeback Kid”!


Episodes

April 19, 2022

Moon Medallion: “New age let-down”

When you listen to the vast majority of bands, you tend to hear the same things: drums, bass, guitar, and of course…vocals. But considering that vocals are often just the icing on the cake, an extra level of garnish for a balanced dish, does making accessible music really require the use of a vocalist? Short […]

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April 18, 2022

Monsoon: “Don’t Move”

Back in the ’80s, groups like R.E.M., The B-52’s, and Widespread Panic turned the quiet college town of Athens, Georgia into a hub of alternative music, a legacy that’s since continued with of Montreal, Drive-By Truckers, and Neutral Milk Hotel. That spirit of indie culture is still alive and well today, as made clear by […]

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April 15, 2022

Golden Hornet: “Bless Isomer”

Although we’ve had clearly defined political boundaries since 1836, there’s still an inseparable culture between Texas and Mexico. Whether you call it Tejano or Texican, it’s a give-and-take social process within which Austin’s Graham Reynolds has found a golden opportunity. Graham and the Golden Hornet team have already applied rock production techniques to classical arrangements […]

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April 14, 2022

Taylor Rae: “Never Gonna Do”

The vast majority of musical artists are plagued by their influences; either there’s a huge disparity between their sound and that of their role models, or its a cookie-cutter copy of their sound. But when you end up with something new that still has subtle hints of those inspirations…that’s what separates the milquetoast many from […]

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April 13, 2022

PM Warson: “(Don’t) Hold Me Down”

Englanders raised after the tides of New Wave had waned and while the turn-of-the-millennium indie rock boom began to quiet down might’ve gravitated more towards the music of the midcentury. That’s exactly what happened with singer-guitarist PM Warson, who, after a stint as a full-time touring musician, has since settled nicely into a ’50s/’60s R&B-soul […]

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April 12, 2022

Robin Mordecai: “Caroline”

It’s been three quarters of a decade since Austin songwriter Robin Mordecai shared his last EP Here Goes Something, but fortunately for us he’s finally got another album coming out this weekend. True to its title, Portraits features five succinct snapshots of fictional personalities anchored in ’70s/’80s-style pop rock, not unlike The Cars or Tom […]

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April 11, 2022

Geoff Bradford: “UFOs”

Although our neighbors in New Mexico get a lot of alien-centric attention thanks to Roswell, the mystique of the “Marfa Lights” has made Texas a destination for extraterrestrial enthusiasts. And when it comes to “visitors” here on Earth, singer-bassist Geoff Bradford definitely qualifies; with a youth divided between New York City, Western Europe, West Africa, […]

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April 8, 2022

Ladyfang: “Sidewalk”

It’s almost been a full decade since four glam rockers got together and started their Austin-based indie-alt-pop-rock affair A Case For Brooklyn. That baby tooth of a band name fell out in 2016 and has since been replaced by a more permanent handle: Ladyfang. Ladyfang’s also maintained a high standard of songwriting, giving us bite-sized […]

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