Song of the Day

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May 26, 2023

Kris Gruen & Kendall Jane Meade: “Heaven On A Car Ride”

By: Jack Anderson

While nepotism in Hollywood continues to give the questionably talented mainstream opportunities, it really doesn’t exist like that within the music industry. Like, if a performer’s truly not up to snuff, a familial claim to fame ultimately won’t get them all that far. Case in point, son of iconic rock ‘n’ roll photographer Bob Gruen, Kris Gruen, whose childhood exposure to turn-of-the-’80s NYC counterculture legends actually sent him on an impressive path of self-worth, one that eventually found him rubbing elbows with some of those same greats. Beginning with his 2007 debut Lullaby School, Kris Gruen has been bolstering his delicate brand of Americana and indie folk. Gruen’s momentum really took off between 2018’s Coast & Refuge and 2021’s Welcome Farewell; he’s since had the pleasure of touring internationally alongside KUTX favorites Chuck Prophet and Alejandro Escovedo. Now, Gruen is ushering in June with his sixth full-length In Bloom. Sure the LP features a cover of The Clash classic “Bankrobber” – a tasteful tie-in with Gruen’s star-charmed childhood, but the record also blossoms with some of his finest songwriting work to date. And ahead of In Bloom‘s release next Friday, Kris Gruen’s given us one more early look at what to expect; harvesting what started as a basic sketch penned by Mascott/Juicy frontwoman Kendall Jane Meade one idyllic LA afternoon, Heaven On A Car Ride just pulled up. Along with its music video, “Heaven On A Car Ride” is an indie folk embrace like a sonic seatbelt, a soothing hug of harmony and soft acoustic strumming. Either way, shotgun seat’s all yours.

Episodes

August 18, 2022

RLTVS: “New Orleans”

Here’s the biggest understatement you’ll read today: creativity is an incredible human asset. We reach into the aether and pull out something that previously didn’t exist. But in the eyes of consumers and curators alike, that’s only half the battle. For them, bringing the abstract into fruition as a tangible, easily-accessible document is what separates […]

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August 17, 2022

Exotic Fruits: “Panda Vision”

Aside from poignant politics, pulsating synths, and plenty of fuzz pedal, it’s not all that easy to define post-punk. Even when you dive into the minutiae of music glossary terms, there’s still a sprawling spectrum of post-punk ranging from angular, analogue noise to straight up digital bass and beats. Fortunately there are also forays like […]

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August 16, 2022

Upper Level Lows: “She Got Style”

Now I don’t want to jinx the elements, but with only one triple digit high in the forecast for this week, it seems like we might finally be cooling down just a bit. So if you’ve been in sweaty solitude and need to take advantage of this (presumably brief) seasonal respite, we’ve got a couple […]

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August 15, 2022

Phil Hurley: “Failing Heart”

In the state of contemporary recording, session EPs are a pretty refreshing concept. By limiting yourself to one space and removing any access to punch-ins, session records evoke the “one-take” magic of century-old methods, back when capturing an authentic live performance was the industry standard. Phil Hurley‘s experienced the best of both, having tracked with […]

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August 12, 2022

Daniel Tashian: “Night After Night”

In 2019 I got a big kick out of Kacey Musgraves’ “Album Of The Year” Grammy acceptance speech for Golden Hour; it was so heartwarming to see a future country superstar acknowledge her trustworthy team, whose efforts took a record with little hype or radio recognition all the way to the top. And if you […]

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August 11, 2022

Takuya Kuroda: “Midnight Crisp”

It’s been almost a full decade since I graduated college, and I’d like to think that those I haven’t kept up with remember me for my two biggest creative endeavors at the time: playing trumpet and producing jazz-sampled hip-hop beats. I only say that because it seems like a pretty cool combo that I’ve sadly […]

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August 8, 2022

9m88: “Love Is So Cruel”

Ranging from Wu-Tang Clan’s RZA & GZA to Austin’s own Slothrust, the first step to truly appreciating an artist is knowing how to say their name correctly. So even though 9m88 may sound more like a robotic bounty hunter to a Native English speaker, when we loosely translate from phonetic Taiwanese, the actual pronunciation rolls […]

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