Song of the Day

Song of the Day > All Episodes

May 26, 2023

Kris Gruen & Kendall Jane Meade: “Heaven On A Car Ride”

By: Jack Anderson

While nepotism in Hollywood continues to give the questionably talented mainstream opportunities, it really doesn’t exist like that within the music industry. Like, if a performer’s truly not up to snuff, a familial claim to fame ultimately won’t get them all that far. Case in point, son of iconic rock ‘n’ roll photographer Bob Gruen, Kris Gruen, whose childhood exposure to turn-of-the-’80s NYC counterculture legends actually sent him on an impressive path of self-worth, one that eventually found him rubbing elbows with some of those same greats. Beginning with his 2007 debut Lullaby School, Kris Gruen has been bolstering his delicate brand of Americana and indie folk. Gruen’s momentum really took off between 2018’s Coast & Refuge and 2021’s Welcome Farewell; he’s since had the pleasure of touring internationally alongside KUTX favorites Chuck Prophet and Alejandro Escovedo. Now, Gruen is ushering in June with his sixth full-length In Bloom. Sure the LP features a cover of The Clash classic “Bankrobber” – a tasteful tie-in with Gruen’s star-charmed childhood, but the record also blossoms with some of his finest songwriting work to date. And ahead of In Bloom‘s release next Friday, Kris Gruen’s given us one more early look at what to expect; harvesting what started as a basic sketch penned by Mascott/Juicy frontwoman Kendall Jane Meade one idyllic LA afternoon, Heaven On A Car Ride just pulled up. Along with its music video, “Heaven On A Car Ride” is an indie folk embrace like a sonic seatbelt, a soothing hug of harmony and soft acoustic strumming. Either way, shotgun seat’s all yours.

Episodes

April 24, 2024

Viben: “Pablo Picasso”

Lyrics are a fickle field. You can be wordy as hell, hoping that at least one line sticks in listener’s minds. Or, you could just loop the hell out of some barebones sentences – guaranteed to have a lot more hypnotic staying power through sheer repetition, especially in the realm of dance music. Now let’s […]

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April 23, 2024

Ruel Thomas: “I Am Today”

Any profession requires quotas…whether that’s how many tickets you write or how many kids pass your class. And when music is your source of income, the obvious metric to measure by is quantity of shows played. But as with any creative endeavor, there’s an opportunity to move the needle in many directions, which makes “success” […]

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April 22, 2024

Drew Holcomb & The Neighbors: “Suffering”

The very nature of Americana is rooted in traditional music. But it also lies at the crossroads between folk, country, and rock. So if an Americana act decides to veer into new lanes, the choices are limited and somewhat predictable. And yet it’s still such a joy to hear an artist explore new sonic territory, […]

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April 19, 2024

Melotheory: “Breathe”

When you have roommates, at least good ones you get along with, group activities naturally arise around the house. For most folks, it’s watching TV, recreational smoking and drinking, or maybe the occasional board game. For musicians, however, having a practice space within eyeshot of your bedroom door is too good of a scenario to […]

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April 17, 2024

Rhythm&Truth and Sakari: “Bring It All Back”

We won’t say that successful collaborations should mandate a solo artist’s trajectory. But if something built together leaves people wanting more, it’s not a bad idea to get back together and sate those desires, right? Because what’s unachievable on the individual level often just needs to get catalyzed by some good collabo chemistry. So let’s […]

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April 17, 2024

Myia Thornton: “Never Good 4 Me”

Unlike the legendary machines of Stax and Motown who relied on a ton of well oiled cogs to make any R&B singer into a star, these days the new blood has to do everything themselves, talent agent or not. And while not everyone can be Prince or D’Angelo in terms of multi-instrumental discipline, bringing something […]

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April 15, 2024

Felt Out: “Crash Inside It”

When we last geeked out over Austin’s Felt Out, we broke down their foundation as that of auto-tune innovators on the cutting edge of alt-pop. And following the first anniversary of their second full-length Until I’m Light, that’s clearly still the case for these multi-instrumentalist-producers. They still sound like a next generation Imogen Heap. Their […]

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April 15, 2024

Tone Royal: “Alone” (feat. Daddy NAT)

When rappers claim to be “the best on the mic”, they’re talking about verbal skills, not their technical prowess with any specific equipment. Clearly that’s the case, since you’ll see those same people spend a whole set cupping the SM58 ’cause it turns out their mic technique actually sucks. But in terms of intimate familiarity […]

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