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March 18, 2025

King Cruff: “Easy” (Live At Scholz Garten)

By: Taylor Wallace

As we continue our week-long celebration of our week at Scholz Garten where we raised over $20k for the Central Texas Food Bank, we turn our ears north and south to King Cruff. Raised in Jamaica, based in Montreal, and being Bob Marley’s grandson, Solomon Markey-Spence AKA King Cruff, furthers the family legacy with his own style.

 Blending everything from afrobeat to dancehall reggae, and contemporary pop, Cruff’s music and stage performance is an adrenaline rush straight to the soul. With all of that together, King Cruff calls himself in one word, “punky,” unable to be put in a box. It’s even in his name, as “cruff” is a Jamaican term for unambitious. The off-kilter dichotomy in the name represents the off-kilter dichotomy of his style. And it’s a damn party.

Cruff took the Scholz stage Wednesday morning at the tender hour of 10 AM, and this one-man show transported our audience to sleepy bopping to full-on boogieing. And now, we bring that boogie to you.


Episodes

August 28, 2025

Adrian Quesada: “Bravo (ft. iLe)” [Live In Studio 1A]

At this point, Adrian Quesada is a man who needs no introduction. With a musical curiosity rivaling Beck, project to project, he conjures up albums thoughtfully marrying tradition or inspiration to Quesada. On both iterations of the Boleros Psicodélicos albums, Quesada explores the centuries-old, Cuban-rooted tradition of the Bolero, beautiful, dramatic love songs deep with […]

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August 26, 2025

Jane Leo: “Goldmine”

Song of the Day has returned from vacation, and I can’t think of a better way to come back than with my favorite dance-pop group this city has to offer. We’ve been following the rise of Jane Leo since its origins, and since the last time we checked in with the duo, they supported indie […]

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August 14, 2025

Team Trust: “Wuggis”

Team Trust call themselves art rock, which is somewhat fitting, but if we want to be specific, I’d call them quirk-punk. The Austin trio sounds a bit like Being Dead and your cool, Gen-X brother’s punk demos he recorded at home the summer before they wound-up on tour with Black Flag, opting for a rotisserie […]

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August 8, 2025

Russell Taine, Jr.: “Sidewinder”

Austin’s Russell Taine, Jr. blends indie rock with an Austin and Texas twist. It’s indie music powered by chords and melodies that you imagine being played at dusk in your cool friend’s backyard with a chain link fence and an oak tree in the background. It sounds like Hole In the Wall. Their latest single […]

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August 7, 2025

Tear Dungeon: “Kill For Health” [Live In Studio 1A]

Andrew Chasen. With the Disciples of Creation, he takes you to church. With A Giant Dog, he takes you church. Sweet Spirit makes you want to dance the night away, and Tear Dungeon drags you to the basement, ties you to the St. Andrew’s Cross, and says flogging and bastinado are for the faint of […]

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August 6, 2025

Jack Greenwood: “Four Walls”

Jack Greenwood’s new single is dance music for sad lads. On “Four Walls,” a song about feeling trapped, the Austin-by-way-of-Wisconsin singer and producer presents a fantastical escape, evoking the moodier side of the 80s synth. The opposing dichotomy works well here; what begins with sunny textures and a fun, melodic bass spirals into a manic […]

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August 4, 2025

Mae Powell: “Contact High”

Bay Area singer-songwriter Mae Powell‘s debut album on Karma Chief Records, Making Room for the Light, serves up a West-coast brand of vintage, pastel-colored, jazz-meets-indie-pop beauty akin to Atlanta’s Faye Webster. Her latest single “Contact High” has origins in conversations with Powell’s elderly neighbor about a song with the spirit of being high socially, but […]

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August 1, 2025

Celestine Gravely: “Kill the Heather”

Despite having a name that sounds like it belongs to a member of the Cramps, Austin’s Celestine Gravely‘s brand of rock is more attuned to the likes of Patti Smith and PJ Harvey, balancing the sounds of those eras and the power of their vocals with her own stamp of songwriting. You’ve got it all […]

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