Song of the Day

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July 18, 2024

Jon Funnell: “BREAKAWAY”

By: Jack Anderson

Nobody truly makes it “overnight”, right? Sure, with semi-recent innovations like home studios and TikTok the exposure pipeline is more greased than ever. But even then it’s not like the most skilled songsmith just pens something new, gets it tracked, and has an instant hit the very next day. No, you need years of experience, your share of stages to cut your teeth on, and with rare lo-fi exceptions, a high enough production value to put the hook in the masses.

So today we’re doing our part to help fuel the flames for Austin up-and-comer Jon Funnell. Jon’s Cedar Park upbringing was largely spent with his trusty six-string in tow, but only leaned into his songwriting predilection once he became a Red Raider. When the pandemic hit, it apparently gave Funnell little pause; Jon dropped his aptly-titled debut full-length Coming of Age that same and chased it with the following January’s “Late Night”, which has since acquired a quarter million streams on Spotify alone. Now, after six years of gigging around town, Jon Funnell’s teamed up once again with Victor Gaspar of Orb Recording Studios to produce his finest-polished piece of work to date.

For someone whose tastes were still developing when Demon Days first dropped, you can instantly hear the Gorillaz influence on Funnell’s latest single, “BREAKAWAY” that dropped earlier this week. Between water smooth synths, airtight drums, and Damon Albarn-esque vocals that recall an East Austin nighttime extravaganza that sandwich a super catchy chorus all in two-and-a-half minutes flat, yeah…”BREAKAWAY” may just end up being Jon Funnell’s breakout.


Episodes

August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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