Song of the Day

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September 30, 2022

John Wesley Coleman III: “Talk About the Good Times”

By: Jack Anderson

Songwriters can often canter by on their high horse, claiming to be a contemporary Virgil or Homer with stanzas in hand. So it’s a breath of fresh air when you come across truly talented self-deprecators like Austin-via-Irving singer-guitarist John Wesley Coleman III. Coleman calls himself a “trash poet”, eschewing hubris in favor of fun, accessible material, be it through standup comedy, movie scripts, books or music. Since his rowdy 2009 debut Steal My Mind, Coleman’s incorporated the most raucous bits of garage, indie rock, lo-fi punk, and even a bit of ’60s skiffle into his earworm formulas. And while he’s fine tuned some of his techniques to appear at least adjacent to what’s considered “professional”, his idiosyncratic style’s remained intact.

Coleman’s saga continues on October 14th with Kiss Apocalypse, produced by White Denim’s Steve Terebecki and mixed by Cat Power engineer Stuart Sikes. Kiss Apocalypse features familiar Austin favorites like Moving Panorama’s Leslie Sisson, Trail of Dead’s Jason Reece, and more, for a full-length fireball of beautifully-flawed local artistry. The record release show is October 16th at Saddle Up and John Wesley Coleman III plays tonight at Chess Club along with openers Narrow Haunts and Blair Brown & The Western Hearts starting at 9PM. Between those two easy opportunities to witness Coleman’s uncouth commentary, there’s no excuse not to make some new memories that’ll let you “Talk About the Good Times” later on.


Episodes

April 21, 2026

Reyna Tropical & Xiuhtezcatl: “Camino”

Cumbia meets Afro-indigenous rhythms in this one-off from Mexican-American artist and activist Xiuhtezcatl and duo Reyna Tropical. Debuted last month at Vive Latino, one of Latin America’s biggest music festivals, the song “bridges the worlds of Indigenous wisdom, diaspora, community, Queer Love and Afro Mexico and the unity and pathways that these bridges are establishing […]

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April 17, 2026

Club Coma: “You Can Take My Spirit”

Austin’s Club Coma are back, this time with more tricks in their bag and an added touch of fuzzy sweetness, adding Lani Thomison AKA Street Peach to their club mix. The new, absolute banger “You Can Take My Spirit” sees the quartet extending the fazers into experimental territory, adding a little crunch to the beat, […]

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April 16, 2026

Billie Marten: “Feeling” [Live In Studio 1A]

Billie Marten is an English singer-songwriter known for her delicate folk sound, warm finger-picked guitar, and quietly powerful songwriting. In 2025 she released her fifth studio album, Dog Eared, on Fiction Records, expanding her signature folk style with richer arrangements. Marten’s music blends elements of folk, indie, and jazz-tinged pop, creating an intimate and timeless […]

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April 14, 2026

I’MMORTAL: “Floor Siren”

Have you ever needed a dance break in the middle of a Tuesday afternoon? Today’s Song of the Day, “Floor Siren,” transports listeners to the dance floor no matter what day or time it is. New York-based artist I’MMORTAL builds an experimental, deconstructed club sound – similar to contemporaries such as COBRAH and Shygirl – […]

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April 13, 2026

Eyelid Kid: “What Happened”

Born and raised in Austin and now based in L.A. (after a stint in Brooklyn), Eyelid Kid is back with more of that smooth, bedroom pop bop action. Produced by Flora and Fawna’s Mason Ables, “What Happened” is cozy and laid back with a midtempo pulse of drum machine momentum and affixed with lots of […]

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April 9, 2026

Ratboys: “What’s Right?” [Live In Studio 1A]

Formed in 2010, Ratboys began as a humble duo by Notre Dame Freshman Julia Steiner and Dave Sagan. By 2017, they’d become a fully-fledged four-piece, relocated to Chicago, and were opening for acts like Soccer Mommy and Diet Cig with heaps of critical praise to line their nest (I assume all ratboys build little nests […]

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