Song of the Day

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September 30, 2022

John Wesley Coleman III: “Talk About the Good Times”

By: Jack Anderson

Songwriters can often canter by on their high horse, claiming to be a contemporary Virgil or Homer with stanzas in hand. So it’s a breath of fresh air when you come across truly talented self-deprecators like Austin-via-Irving singer-guitarist John Wesley Coleman III. Coleman calls himself a “trash poet”, eschewing hubris in favor of fun, accessible material, be it through standup comedy, movie scripts, books or music. Since his rowdy 2009 debut Steal My Mind, Coleman’s incorporated the most raucous bits of garage, indie rock, lo-fi punk, and even a bit of ’60s skiffle into his earworm formulas. And while he’s fine tuned some of his techniques to appear at least adjacent to what’s considered “professional”, his idiosyncratic style’s remained intact.

Coleman’s saga continues on October 14th with Kiss Apocalypse, produced by White Denim’s Steve Terebecki and mixed by Cat Power engineer Stuart Sikes. Kiss Apocalypse features familiar Austin favorites like Moving Panorama’s Leslie Sisson, Trail of Dead’s Jason Reece, and more, for a full-length fireball of beautifully-flawed local artistry. The record release show is October 16th at Saddle Up and John Wesley Coleman III plays tonight at Chess Club along with openers Narrow Haunts and Blair Brown & The Western Hearts starting at 9PM. Between those two easy opportunities to witness Coleman’s uncouth commentary, there’s no excuse not to make some new memories that’ll let you “Talk About the Good Times” later on.


April 23, 2024

Ruel Thomas: “I Am Today”

Any profession requires quotas…whether that’s how many tickets you write or how many kids pass your class. And when music is your source of income, the obvious metric to measure by is quantity of shows played. But as with any creative endeavor, there’s an opportunity to move the needle in many directions, which makes “success” […]


April 22, 2024

Drew Holcomb & The Neighbors: “Suffering”

The very nature of Americana is rooted in traditional music. But it also lies at the crossroads between folk, country, and rock. So if an Americana act decides to veer into new lanes, the choices are limited and somewhat predictable. And yet it’s still such a joy to hear an artist explore new sonic territory, […]


April 19, 2024

Melotheory: “Breathe”

When you have roommates, at least good ones you get along with, group activities naturally arise around the house. For most folks, it’s watching TV, recreational smoking and drinking, or maybe the occasional board game. For musicians, however, having a practice space within eyeshot of your bedroom door is too good of a scenario to […]


April 17, 2024

Rhythm&Truth and Sakari: “Bring It All Back”

We won’t say that successful collaborations should mandate a solo artist’s trajectory. But if something built together leaves people wanting more, it’s not a bad idea to get back together and sate those desires, right? Because what’s unachievable on the individual level often just needs to get catalyzed by some good collabo chemistry. So let’s […]


April 17, 2024

Myia Thornton: “Never Good 4 Me”

Unlike the legendary machines of Stax and Motown who relied on a ton of well oiled cogs to make any R&B singer into a star, these days the new blood has to do everything themselves, talent agent or not. And while not everyone can be Prince or D’Angelo in terms of multi-instrumental discipline, bringing something […]


April 15, 2024

Felt Out: “Crash Inside It”

When we last geeked out over Austin’s Felt Out, we broke down their foundation as that of auto-tune innovators on the cutting edge of alt-pop. And following the first anniversary of their second full-length Until I’m Light, that’s clearly still the case for these multi-instrumentalist-producers. They still sound like a next generation Imogen Heap. Their […]


April 15, 2024

Tone Royal: “Alone” (feat. Daddy NAT)

When rappers claim to be “the best on the mic”, they’re talking about verbal skills, not their technical prowess with any specific equipment. Clearly that’s the case, since you’ll see those same people spend a whole set cupping the SM58 ’cause it turns out their mic technique actually sucks. But in terms of intimate familiarity […]


April 12, 2024

Tagua Tagua: “4AM (Acústico)”

Feliz sexta! Today we’re talking about Tagua Tagua, the passion project of São Paulo songwriter-producer Felipe Puperi. Now, Brazil is an enormous country, full of fervent creators; it takes a ton of traction to get towards the top. But in the seven years since Puperi launched off, Tagua Tagua’s become one of the nation’s most […]