Song of the Day

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August 8, 2022

Janson Sommers: “Neon God”

By: Jack Anderson

Have you ever met an artist that has a bunch of wacky-sounding projects under their belt, only to discover that their eponymous material is the real off-the-wall stuff? Well that’s exactly what you get with Janson Sommers, who temporarily shelved his indie rock band Futon Blonde at the onset of COVID and released an electronic EP last summer under the moniker Dad Boy. But in the short time since then, Sommers has perfected his production techniques and re-surfaced once again as a sleek synth-savant.

So far, all three of Janson’s self-titled singles pack batshit beats and bass, not to mention an eloquent sense of melody and structure. The latest one finds Janson Sommers weaning off lyrics for a strictly instrumental venture, so if you’re in need of a new addition to your workout playlist or just want a two-minute respite from the real world, all you gotta do is approach the primordial altar and offer yourself to the “Neon God”.


Episodes

April 15, 2024

Felt Out: “Crash Inside It”

When we last geeked out over Austin’s Felt Out, we broke down their foundation as that of auto-tune innovators on the cutting edge of alt-pop. And following the first anniversary of their second full-length Until I’m Light, that’s clearly still the case for these multi-instrumentalist-producers. They still sound like a next generation Imogen Heap. Their […]

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Tone Royal: “Alone” (feat. Daddy NAT)

When rappers claim to be “the best on the mic”, they’re talking about verbal skills, not their technical prowess with any specific equipment. Clearly that’s the case, since you’ll see those same people spend a whole set cupping the SM58 ’cause it turns out their mic technique actually sucks. But in terms of intimate familiarity […]

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April 12, 2024

Tagua Tagua: “4AM (Acústico)”

Feliz sexta! Today we’re talking about Tagua Tagua, the passion project of São Paulo songwriter-producer Felipe Puperi. Now, Brazil is an enormous country, full of fervent creators; it takes a ton of traction to get towards the top. But in the seven years since Puperi launched off, Tagua Tagua’s become one of the nation’s most […]

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April 10, 2024

Faaris: “Taken Not Given”

As our ever-evolving hip-hop scene steadily expands, so does the representation of nations, cultures, and identities from its contributors. And for some truly refreshing cross-cultural flavors that have made their way into the ATX hip-hop melting pot, look no further than Faaris. Brought up in a Pakistani household right here in Austin, Faaris brings a […]

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April 9, 2024

Adam Sultan: “The Great Divide”

They say, “write what you know”. And in music, if you know something well enough to perfect its performance, that usually means you’ve absorbed the material enough to build upon it and make it your own. So let’s talk about Austin’s Adam Sultan. Sultan started off a singer-guitarist in the ’90s with Poi Dog Pondering […]

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April 5, 2024

Flicker Vertigo: “Midnight Fantasies Upon Prospect Hill”

As an unabashed Pink Floyd fan, I can’t tell you how much I’m looking forward to firing up the Atmos mix of Animals on my home theater setup when the BluRay drops next month. Sure, the full record’s been etched in my memory forever now, but through the lens of the latest mix an full […]

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April 4, 2024

Mountains in Stars: “Hazards of Loving Creatures”

You’ve heard it a million times before: a picture is worth a thousand words. But go ahead and try it out if you dare. Pick a picture and start verbalizing. Yeah…you’ll give up far before you get anywhere close to a four-digit word count. Music on the other hand? Each chord carries various connotations, which […]

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April 3, 2024

Nané: “Always On My Mind” (Live in Studio 1A)

As with any active artistic community, the Austin music scene has suffered its share of too-soon tragedies. And the passing of Daniel Sahad – the flamboyant frontman of Austin sextet Nané who left us in April ’22 – still feels especially fresh in our memory. Thankfully Daniel’s legacy still lives on through his music, Nané’s […]

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