Song of the Day

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May 23, 2024

Grandma Mousey: “When I’m Not There”

By: Jack Anderson

Ever since we first caught sight of them in 2022, we’ve continued to make room for Grandma Mousey in our wheelhouse, even after their initial nest expanded from three members to five. Yeah, Granny M’s grown on us so much over the past couple of years, that we don’t mind ratting on their talent again at all.

Because between endeavorous concert stage props, Apollo program-era influences spanning from psych and classic rock to jazz, a humble refusal to take themselves too seriously, and an ongoing obsession with grasshoppers in their song titles (see the previous point), this Austin indie rock lab experiment feels like an anthropomorphic version of Fe, Fi, Fo, Fum, and Phooey, spacey tastes included. And coming off their third studio installment Couch Surfing from last October, they’ve stirred local show rodents into a modest following…at least enough to keep the Orkin man from shuttin’ ’em down.

Now, a half decade out of their hole, Grandma Mousey’s stickin’ their not-so-elderly indie rock whiskers into something that’s a little less Mothers of Inventions and a little more your grandma’s speed – Motown-inspired modern rock. And that’s on behalf of “When I’m Not There”, the lead single from Grandma Mousey’s upcoming EP Slime Community – out this Summer. Where Vanilla Fudge famously put a decelerated, painfully melodramatic twist on The Supremes, Grandma Mousey maintains the powerhouse harmonies, infectious hand claps, upbeat tempo, and major chord progressions of soul’s golden era, albeit into strange places of softly sweet, paradisal psychedelia thanks to some choice synth swells, liquid bass lines, and far out lead guitar.

In terms of Grandma Mousey’s gig next Friday at Anderson Mill Pub? We hope you’ll be there. To Grandmother’s mouse we go!


Episodes

November 11, 2025

Vizzconde: “Camaleón”

Up-and-coming Spanish alt pop artist Vizzconde made his debut earlier this year with the instrumental dance single “Portents.” He’s followed that up with “Camaleón,” an upbeat song that draws inspiration from medieval times and his Galician roots. The song begins with a gentle piano intro, but with electronic vocal stylings, a driving beat, and a […]

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November 10, 2025

Dion Lunadon: “Gold Standard Love”

New Zealand-born, New York-based Dion Lunadon, former bassist of Brooklyn post-punk band A Place to Bury Strangers, has released his latest single “Gold Standard Love” via a limited edition 7″ flexi disc inside the fall issue of the illustrious CREEM magazine. 100 flexi’s inside 100 copies. Whoa. This crunchy, post-punk romp carries that signature NYC early 00’s […]

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November 6, 2025

Jane Leo: “Goldmine” [Live In Studio 1A]

After a year or so of releasing individual dance-pop candies, Austin’s Jane Leo released their sophomore album Creature of Destruction in September. One of the tracks on the album is “Goldmine,” a slightly more subdued song from the art-pop duo, but still dripping with energy and that funky “Imma dance here in my own little […]

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November 3, 2025

Her Mana: “Suena”

Perfect for the chilling temperatures is the latest from Austin world-folk duo Her Mana. Emilie Basez and Kate Robberson return with their latest single “Suena,” a slow, tender tune made for slow dances with long, locked gazes. Produced by Jim Eno and featuring the Ibiza String Ensemble to brighten the thoughtfully equipped negative space in […]

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October 31, 2025

Teethe: “Holy Water” [Live In Studio 1A]

It’s the last day of October, so it’s time for one final spooky toast to our October Artist of the Month. Teethe was formed up in the DIY music enclave of Denton, all students of the University of North Texas. Now, with streaming numbers on their side, a move to Austin, and a European and […]

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October 30, 2025

Skateland: “Wednesday, Baby!”

For years now, we’ve been in a bit of a cuffing season with former KUTX Artist of the Month Skateland‘s synth-driven dream pop that’s as delectable and ethereal as the roller rink of his stage name origins. It’s cozy, groovy, and hypnotic all at the same time. After years of breadcrumbing us singles, he’s releasing […]

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October 29, 2025

Michael Arizmendi: “Dependence”

Born and raised in Brownsville, TX, new Austinite Michael Arizmendi recently graduated from the esteemed Berklee College of Music in Boston. Principally a trumpeter, Arizmendi studied music production and songwriting, and he blends those skills with a passion for exploring and synthesizing different genres. His debut single “Dependence” blends sultry jazz and hip-hop showcasing both […]

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October 24, 2025

The John-Pauls: “Eep Eep”

Yesterday, I watched a video of a guy unsuccessfully attempting to get a beached dolphin back into the ocean, and as luck would have it, today I get to write about a song from a dolphin’s POV. And a louche little devil they are. “Eep Eep” is the appropriately named title and single from the […]

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