Song of the Day

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May 23, 2024

Grandma Mousey: “When I’m Not There”

By: Jack Anderson

Ever since we first caught sight of them in 2022, we’ve continued to make room for Grandma Mousey in our wheelhouse, even after their initial nest expanded from three members to five. Yeah, Granny M’s grown on us so much over the past couple of years, that we don’t mind ratting on their talent again at all.

Because between endeavorous concert stage props, Apollo program-era influences spanning from psych and classic rock to jazz, a humble refusal to take themselves too seriously, and an ongoing obsession with grasshoppers in their song titles (see the previous point), this Austin indie rock lab experiment feels like an anthropomorphic version of Fe, Fi, Fo, Fum, and Phooey, spacey tastes included. And coming off their third studio installment Couch Surfing from last October, they’ve stirred local show rodents into a modest following…at least enough to keep the Orkin man from shuttin’ ’em down.

Now, a half decade out of their hole, Grandma Mousey’s stickin’ their not-so-elderly indie rock whiskers into something that’s a little less Mothers of Inventions and a little more your grandma’s speed – Motown-inspired modern rock. And that’s on behalf of “When I’m Not There”, the lead single from Grandma Mousey’s upcoming EP Slime Community – out this Summer. Where Vanilla Fudge famously put a decelerated, painfully melodramatic twist on The Supremes, Grandma Mousey maintains the powerhouse harmonies, infectious hand claps, upbeat tempo, and major chord progressions of soul’s golden era, albeit into strange places of softly sweet, paradisal psychedelia thanks to some choice synth swells, liquid bass lines, and far out lead guitar.

In terms of Grandma Mousey’s gig next Friday at Anderson Mill Pub? We hope you’ll be there. To Grandmother’s mouse we go!


Episodes

August 24, 2026

Wynonna: “Am I Missing Out”

Country music legend Wynonna Judd is back with her first album in over a decade. On The Hard Truth, she collaborates with artists like Iron & Wine, the War & Treaty, and Patterson Hood. And despite her music never shying away from darker, personal themes, Judd says this new album may be her most honest. […]

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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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