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June 15, 2023

Good Field: “Full Pool”

By: Jack Anderson

Back in 2018, we started the year off strong with our January Artist of the Month Good Field. The Austin quartet, their enthralling third full-length Surface Tension, and their easy-going brand of slacker indie-Americana perfectly embodied the worry-free character of the “before times”. But since the start of COVID, Good Field’s been noticeably quiet. Maybe that’s because Good Field’s been in the weeds of their fourth LP, Coyote. This seven-song collection follows up their seemingly-standalone October 2020 studio single “Coyote (Living Free)”, which now serves as the album closer and title track. Toting tunes like “Passengers”, “Airliner”, and “Lost in Morelos”, Coyote comes across as less of a yipping menace and more of a slinky, crepuscular traveler, fitting for a four-piece originally from rural West Texas. Coyote crests the horizon on November 3rd and Good Field takes the stage 10PM tomorrow night at C-Boy’s Heart & Soul, followed by Star Parks at 11:15PM and The Point just after midnight. And today Good Field’s graciously given us an early glimpse at Coyote from afar. Although its title instantly reminds us of Surface Tension, “Full Pool”‘s character doesn’t exactly reflect that last record’s shimmering indie rock liquidity. Instead, in a wooded trot or a sandy gallop, “Full Pool” takes its time and stalks listeners with cosmic Americana, like an infectious vector between Deer Tick and 2009-era Grizzly Bear.

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December 15, 2022

Logan Mize and Jill Martin: “Wrapped”

In the small riverside town of Clearwater, Kansas, claims to fame are few and far between. Now that’s not a slight on Clearwater; I’m well aware that we can’t all reside someplace with a prestigious nickname like “The Live Music Capital of the World”. But aside from adjacency to the historic Chisholm Trail and producing […]

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December 13, 2022

grentperez: “When Christmas Comes Again”

If there are two genres that are grossly misunderstood by masses (and frankly abused) through pop culture soundtracks…they’re Christmas music and Bossa Nova. For the former, we’ve been conditioned to expect schmaltzy exchanges or comic Griswold-esque catastrophe. For the latter, it’s typically a toss-up between elevator music and sexy-yet-playful moods. But of course, both can […]

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December 12, 2022

David Shabani: “Holiday Blues”

It’s the final five features for Song of the Day‘s 2022 season. We’re taking a vacation for a couple weeks, but don’t fret; we’ll be back bright and early next year. Until then we’re hanging some of the very best musical mistletoe of the past months, starting off with Austin’s own David Shabani. Born in […]

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December 8, 2022

Grrrl Toy: “Bite!”

The way some people talk about solo singer-songwriters…seems like there’s a lot of complicated discourse around the whole “one-person act” aspect. We sometimes idolize (and frankly fetishize) unescorted performances by the likes of Norah Jones or Billie Eilish, but honestly, even with those examples I respect the hell out of a songwriter who recognizes the […]

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December 7, 2022

waverly: “overcomplicated” (feat. mHart)

Trap-pop. It’s decidedly a young person’s game. I mean sure, you’ve got “older” folks like Drake and Doja Cat purveying it on the Billboard charts but really, the target demographic and the generation who’s going to take it to the next level are people in their teens and twenties. Which brings us to Wil Brookhart. […]

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December 6, 2022

Daily Worker: “Irish Goodbye”

Austin area indie-rock/guitar-pop connoisseurs ought to be well acquainted with the legendary experimental outfit Cotton Mather. The core members of Cotton Mather have kept each other company for a little over two decades, albeit non-consecutive ones. And yet you might still be unfamiliar with Cotton Mather co-founder Harold Whit Williams’ solo endeavor, Daily Worker. To […]

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