Song of the Day

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June 30, 2025

GHOSTWOMAN: “Alive”

By: Taylor Wallace

Belgian/Canadian duo GHOSTWOMAN are all about finding freedom in a reckless space. On the upcoming album Welcome to the Civilized World, they take this notion head-on and put it center stage.

The album was recorded on an old tape recorder using old instruments. The recording space was a home they didn’t bother to treat for sound, and the lyrics came long after the songs, which the duo let flow through them without any pesky overthinking. What they’ve created is something organic that oscillates around different sounds all tied together by the aforementioned conditions and nostalgic inspiration.

The album’s debut single “Alive” takes on a vintage country rock sound, not quite like the Byrds, and not quite like Whiskeytown, but something that takes you to both of those places simultaneously.  

Welcome to the Civilized World is out September 5th on Full Time Hobby and Dine Alone Records.


Episodes

February 12, 2026

Redbud: “Soul Work” [Recorded Live In Studio 1A]

Charming noodling with bright hooks, introspective lyrics, and joyful energy exude from Ausitn’s Redbud, Fronted by Katie Claghorn, the indie pop group has been around since Claghorn picked-up a guitar during the pandemic, and they’ve played on nearly every Austin stage since they hit the ground running: touring the country and being one more than […]

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February 11, 2026

Jobi Riccio: “Buzzkill”

Jobi Riccio is a Nashville indie Americana artist, but with her new single “Buzzkill,” she leans into a more punk style, rock-forward sound. This shift mirrors her angsty, introspective lyrics, which capture what it’s like to navigate your twenties and the emotional phases that define those years. As someone in my mid-twenties, I find this […]

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February 10, 2026

Grace Sorenson: “Cologne” (The Hole Story)

he Hole Story is a new series from KUTX. Taped live on the little front stage of Hole in the Wall – we’ve invited artists to not just perform, but also share the inspiration, meaning, or backstory behind each one.  Opened in 1974, Hole in the Wall is one of Austin’s most legendary dive bars. […]

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February 2, 2026

J’cuuzi: “Advance/Decline”

Our July 2025 Artist of the Month J’cuuzi hit the ground running with their frenetic debut EP Big Machine. Refusing to rest on their laurels, the duo is pushing the envelope with their new single “Advance/Decline,” sonically detailing the perseverance we sometimes struggle to manifest, but we do anyway, somehow, because we, especially women, have […]

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January 29, 2026

Annabelle Chairlegs: “Shoo Fly” [Live In Studio 1A]

As January closes, we’re shining the spotlight once more on our Artist of the Month Annabelle Chairlegs. Fronted by Linsday Mackin, the band returns after a brief hiatus with new members Nolan Potter, Simone Maresh, and Nick Coretti. And the new album Waking Up is produced by psych rock powerhouse Ty Segall. As gritty and […]

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January 21, 2026

Katherion: “Bad for Me”

Austin artist Katherion is proving she has what it takes to stand out with “Bad for Me,” a track from her debut album EROS. This softly haunting indie-pop song explores the tension of being in a relationship you know isn’t good for you. By focusing on feeling rather than specificity, the lyrics invite listeners to […]

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January 20, 2026

Almost Heaven: “oscillation”

Support for KUTX’s Love Austin Music Month coverage comes from Eldorado Cafe, embracing a community of folks who believe sharing food and music feeds the soul. Austin-based indie dance, post-punk duo Almost Heaven is having a strong start to 2026. After a C3-produced Free Week performance at Stubb’s, the pair recently released “oscillation,” ahead of […]

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January 13, 2026

Marlei: “2009”

Support for KUTX’s Love Austin Music Month coverage comes from Eldorado Cafe, embracing a community of folks who believe sharing food and music feeds the soul. It’s not difficult to compare the economic turbulence of 2026 to 2009 – and Marlei, a Houston-born, Austin-based pop/R&B artist, thinks of that time often. In 2009, Marlei was […]

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