Song of the Day

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August 13, 2024

Garrett T. Capps & NASA Country: “Ouray”

By: Jack Anderson

Between Elon Musk centering his SpaceX escapades in the Lone Star State and wearing a ten-gallon hat backwards…the dude is trying way too hard to be a “space cowboy”. But for those of us who’ve spent enough time here in Texas, at least those who’ve made acquaintances with a few certified cosmic countrymen, we know that’s bogus. Because from what we’ve witnessed, you don’t need an aeronautics degree nor be the world’s richest man to make a name for yourself as an intergalactic vaquero.

Case in point: Garrett T. Capps & NASA Country. For the better part of the past decade, the namesake chief commander of this San Antonio coalition’s shown an impressive flexibility across the nexus of Tex-Mex, but with NASA Country, it ain’t the “cosmic Americana” sound that so many city-slickin’ hipsters relish in; instead it’s what NASA Country calls “cowboy kraut” – a bit of that bold kraut rock mixed in with high octane southern rocket fuel with thrust support from far out grooves and homegrown folk.

The latest update from GTC mission control? Everyone is Everyone, out October 4th (appropriately on Spaceflight Records). Here we thought we’d heard the full “Shadows Trilogy” saga when People Are Beautiful dropped last September, but turns out the “prequel” has just been waiting for the pod bay doors to rotate and open. On Everyone is Everyone, Garrett T. Capps and NASA Country hurdles past any lingering star child infancy and climbs through the synth-acoustic constellations to new heights with the most adventurous route of “cowboy kraut” we’ve heard to date. And while Everyone is Everyone‘s lead single doesn’t formally launch until this Friday, most of us (particularly that poor pair of astronauts stuck in orbit right now) would kill for some of that Colorado climate right about now (maybe save for the hot springs). So if your dogs are already barking this early in the week, take a load off with “Ouray” – because at just over five minutes it makes for one hell of a smoke break soundtrack, whether you’re on a tour pit stop, taking a much-needed respite from work, baying at the moon, strumming a six-string, or gazing into a loved one’s eyes. Not much more needs to be said about this one other than “awoooooo”.


Episodes

August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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August 10, 2026

Modiste: “Breaking My Own Heart”

The past is coming up from behind on the debut single from Louisville, Kentucky synth trio Modiste. The 80’s-inspired group employs exclusively analog and digital vintage instruments and toys to invoke a true pastiche of your favorite smokey 80’s underground music with just a whisper of the modern age. Think Jane Leo meets Kate Bush […]

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August 7, 2026

Paige Plaisance: “Waiting”

Paige Plaisance is carving out her own lane with a sound she coins “Swampytonkin’.” Raised on a farm near the muddy banks of the Mississippi River, the Austin-based singer-songwriter and pianist is back with her highly anticipated second full-length album, Swampwater. Recorded at Austin’s famed Finishing School and produced by Jonathan Tyler, Swampwater further establishes Plaisance as a masterful, […]

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