Song of the Day

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January 11, 2024

Futon Blonde: “Goodbye, Goodbye”

By: Jack Anderson

An obvious understatement, but music’s taken some huge leaps in the past century-plus of sound recording. So while the simple lyrical structures and repetitive chord progressions of pioneers like Robert Johnson or Lead Belly may seem laughably basic to some nowadays, that’s only because we’ve become spoiled by one integral element – the groove. In the modern era, ranging from pop to hip-hop, rock, and beyond, lyrics and chords alone don’t cut it; you gotta put the hook in listeners with an infectious groove. And although one could argue that indie rock is one of the least groovy genres, the mere presence of a groove separates the best from the rest.

For examples of such right here in Austin, we can fall back on Futon Blonde. Initially framed around songwriter Janson Sommers, Futon Blonde’s since gone on to quadruple their groove capacity thanks to fellow songwriter-vocalists Mark Webb (lead guitar) and Ben ‘Beng’ Goodman (bass), not to mention drummer Steve Zamora. Now in their tenth year of the affair, Futon Blonde’s cushioned their groove-dominant formulas around funk, alternative, and psych rock over tours, EPs, and one full-length. And as they kick off a second decade together, the Futon’s converting once again – this time with streaks of 2010s R&B.

Bouncy bass lines, soulful vocals, smooth six-string, and a plethora of pulsating percussion choices permeate throughout Futon Blonde’s next EP Multiplier. It’s certainly a departure from last Spring’s Something That We’ve All Experienced Together Before, and even more so from 2019’s Uppercut, but based on the latest batch of tunes (mixed by Loma/Cross Record collaborator Dan Duszynski), we sure as hell aren’t complaining. So especially since it’s that time of year everyone turns a new leaf, instead of succumbing to couch lock, catch Futon Blonde 8PM tonight at Hotel Vegas for a single release show with openers Hex Boyfriend at 7PM. The new single in question? “Goodbye, Goodbye”, which, as you might’ve guessed from its title, was inspired by the end of a relationship. On top of some tasteful drum programming steaming up the background, sensual rhythm guitar cutting through like a butter knife, baby-makin’ bass, plus the usual gusto of luscious lead guitar and grounded percussion, Webb crushes vocals on this expansive original of his. In other words “Goodbye, Goodbye” bids farewell to that old fling and says “hello” to this new era of groove for Futon Blonde.


Episodes

March 1, 2024

Scott Ballew: “Mutiny”

Austin may be a metropolis, but it’s still smack dab in the middle of Texas, football fanaticism, Western legends, vast landscapes, and all. There are a lot of artists who embody that Lone Star aesthetic, but today we’re tippin’ our hat to Scott Ballew. After his initial acts as football star and filmmaker, this central […]

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February 29, 2024

Anna Tivel: “Disposable Camera”

It’s a total no-brainer. 2020 and quarantine conditions left countless with a bizarre bevy of time to reflect and be inspired, no matter how dire the world felt. And with a lot of those early-COVID-era compositions, the final products reached masses within the first year or two. But some of those existential episodes must’ve made […]

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February 28, 2024

The Peterson Brothers: “Family”

We here at KUTX have kept a pulse on the local scene long and close enough to realize that we’re essentially tracking the progression of individual talents in real time. And though we’re admittedly quick to stick up for twenty-somethings who’ve bottled lightning for their debut releases, frankly there are very few youngsters that genuinely […]

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February 27, 2024

Autumn Cymone: “Slippery” (feat. James Barmore)

Over the past 40 years R&B’s only gotten more electronic, more reliant on post-production “studio magic”. And for the more recent half of that period, R&B’s also become so intertwined with hip-hop that the two genres are now almost inseparable. Thankfully, just like the recent retro-soul renaissance, there are still purveyors of real “rhythm & […]

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February 26, 2024

Tigers Eye: “Goodbye Again”

It’s a new week and nearly a new month so might as well break into some new music, right? Today we have the privilege of premiering the first-ever studio single from a fresh outfit – Tigers Eye. Like their namesake quartz, this quartet has a more exotic appeal than many of Austin’s other musical marbles, […]

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February 23, 2024

Silver Skylarks: “Power Moves” (feat. Adrian Quesada & US!)

We’ve said it once and we’ll say it again: we’ve been loving the recent ride of this retro soul-funk renaissance, especially with so much dynamite coming right out of the central state area. And today a new name emerges within that ongoing saga of nostalgia: Silver Skylarks. Fly like the birds, and slick like the […]

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February 22, 2024

Wrongbird: “Sons of the Desert”

Once you get locked into a flock, life without group benefits sounds like a nightmare. And if you want to break away to steer your own migrations, you might just sacrifice a chunk of your following in the process. Not only that, there’s always the risk of ending up far from where you wanted. Yet […]

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February 21, 2024

Paige Hill: “Go West”

Last May we took a gander at a real Good Woman, Austin-born-and-raised and now Dallas-based singer-songwriter Paige Hill, who shared her debut EP of the same name last year. Pious yet uninhibited, motherly without hovering, and faithful to her state but enticed by adventure, Hill embodies those personal complications often overlooked in the Americana-country-folk-rock realm. […]

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