Song of the Day

Song of the Day > All Episodes

June 22, 2022

Friend In Law: “Stand to Be”

By: Jack Anderson

We all know how dangerous social media can be, especially if you’re a solo creative; with the instant feedback and gratification of “likes”, there’s less incentive to craft your art with time and care. That brings us to Austin singer-guitarist-producer Ben Murray, better known by his handle Friend In Law. Friend In Law marries turn-of-the-millennium pop rock with ’90s-style alternative and juxtaposes gloomy moods with lively guitar arrangements, as heard on the three inaugural singles Murray shared last year. But inspired by the crystalline results of fellow bedroom producer Bite Your Own Teeth’s self-made EP, Murray decided to learn the ropes and give Friend In Law’s latest original the time it deserves. After eight months in the oven, “Stand to Be” is a testament to Murray’s progression into a patient, keen-eared producer. And even though it was mastered by John Greenham (who’s provided final tweaks for folks like Billie Eilish, Cautious Clay, and Lady Gaga), you can really hear a step-up in “Stand to Be”‘s sound over its predecessors. With quirky acoustic vibes reminiscent of Mac DeMarco or Bright Eyes, reverbed-out tom accents, and a maniacal march of a chorus, “Stand to Be” serves as a promising milestone in Murray’s maturation.

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May 4, 2026

Son Rompe Pera: “Reptilo”

Mexico City’s Son Rompe Pera, widely considered to be part of the impetus behind the cumbia-punk movement, have spread that gospel across 20 countries since 2019 (including a set at our SXSW Scholz Garten show in 2023 and a stop by Studio 1A last year). The group is currently on tour (their show last weekend […]

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April 29, 2026

Gran Moreno: “Aztlán” [Live In Studio 1A]

KUTX’s Artist of the Month Program is powered by Austin FC Raised in Mexico and newly transplanted to Austin, brothers Ricardo and Christian Rodríguez craft songs that feel like sonic mirages—equal parts groove, grit, and atmosphere. Their music lives at the intersection of distortion and introspection, where hypnotic riffs, heavy rhythms, and emotionally charged melodies […]

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April 28, 2026

Sweet Limb: “Dopamine”

Whether you’re on a dopamine detox or you’re getting your dopamine hit from visiting this website right now, Austin-based Sweet Limb’s latest single is for you. Over a sultry instrumental with twinkling accents and a thudding 808, Sweet Limb founder Chris Robinson offers to help you boost your dopamine – wink, wink. Sweet Limb releases […]

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April 27, 2026

Rickshaw Billie’s Burger Patrol: “Peaches”

It’s fuzzy, it’s doomy, and it’s relentless. The new single from Austin “doom-woppers” Rickshaw Billie’s Burger Patrol keeps in stride with the group’s brand of metal-meets-melodic hard rock, giving you a two-and-a-half-minute riff bomb of what’s in store for their upcoming album Ca$h Grab, out later this year. The band is out headlining a packed […]

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April 24, 2026

Mean Jolene: “Private Plane”

The new single from Ausitn power-pop outfit Mean Jolene has it all: beautifully harmonized gang vocals with a 1960’s shimmer, 90’s female rock guitar hooks and grit, and an earnest look at the double-edged sword of escapism: a necessity for self-preservation pocked with a compulsion towards innocent complacency. And there’s something about the energy of […]

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April 21, 2026

Reyna Tropical & Xiuhtezcatl: “Camino”

Cumbia meets Afro-indigenous rhythms in this one-off from Mexican-American artist and activist Xiuhtezcatl and duo Reyna Tropical. Debuted last month at Vive Latino, one of Latin America’s biggest music festivals, the song “bridges the worlds of Indigenous wisdom, diaspora, community, Queer Love and Afro Mexico and the unity and pathways that these bridges are establishing […]

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April 17, 2026

Club Coma: “You Can Take My Spirit”

Austin’s Club Coma are back, this time with more tricks in their bag and an added touch of fuzzy sweetness, adding Lani Thomison AKA Street Peach to their club mix. The new, absolute banger “You Can Take My Spirit” sees the quartet extending the fazers into experimental territory, adding a little crunch to the beat, […]

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