Song of the Day

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January 13, 2023

Felt Out: “Closer”

By: Jack Anderson

Given the generation-sprawling success of industry darlings like Billie Eilish and Future, it’s safe to say that the use of auto-tune has become a near-universally-accepted aesthetic. Or at least more so than when “Believe” first broke conventions in 1998 or when the disdainful “D.O.A.” dropped in 2009. Auto-tune’s ascent into ubiquity has also aligned nicely with an advent of alt-pop over the past decade, a movement that wouldn’t be what it is without acts like Felt Out.

Cemented in ten years of friendship, Austin multi-instrumentalist/producers Sowmya Somanath and Walter Nichols first showed off their sultry smooth style on Felt Out’s 2019 debut full-length Superfluid. The pair also passed off a trio of Superfluid B-Sides back in 2021, but since then we’ve felt a bit in the dark about what’s next for Felt Out. Today, that all changes.

Felt Out announced their sophomore full-length Until I’m Light earlier this morning. The ten-track LP’s set for release on April 14th, toting some of the most innovative harmonic auto-tuning we’ve heard since Imogen Heap’s mid-2000s heyday. The record’s lead single “Closer” just touched down alongside a phantom-filled music video, whose forlorn dynamics and fleshly form will make you feel held all the way up to Until I’m Light‘s release day.


Episodes

August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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August 12, 2026

Seth Celdrán: “Stiletto”

Austin’s Seth Celdrán brings a sharp, swaggering edge to “Stiletto,” a track that blends a driving groove with sleek production and plenty of attitude. There’s something effortlessly cool about the way the song moves, balancing its darker edge with a rhythm that keeps it light on its feet. “Stiletto” has just enough bite to make […]

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August 11, 2026

Shakey Graves: “When the Love Was New” [The Hole Story]

*The Hole Story is powered by Austin Beerworks* Long before Shakey Graves was filling theaters around the world, Alejandro Rose-Garcia was finding his footing at Austin’s Hole in the Wall, where an early happy-hour residency helped shape the artist he would become. More than a decade later, that connection remains. In 2026, Shakey brought his […]

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