Song of the Day

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January 8, 2024

Emily McLoud: “Nothing Ever Keeps”

By: Jack Anderson

With Free Week behind us and SXSW still a way’s out, we’re officially filling up our radar with a ton of promising releases for 2024. And that of course includes a wealth of Austin talent.

For example, last weekend we got another glimpse at some new material from Austin’s Emily McLoud. An addict for the outdoors, a loving mother, attentive caregiver, and veteran of the local live scene for the past decade and a half, we prefer to think of McLoud’s surname less like “loud” and more like “cloud”, thanks to her airy vocals and delicate country-folk sensibilities. Emily’s solo career first emerged for many in the fall of 2022 with her debut EP Sugar Shine, and recently she’s been plugging away at its sophomore follow-up.

Well last Friday Emily McLoud picked up where last November’s “Caroline” left off with that latest record’s second lead single, “Nothing Ever Keeps”. An Americana treat throughout its four-minute runtime, “Nothing Ever Keeps” ushers in this new season of vulnerable songwriting for McLoud with gentle harmonies, a tastefully-light rhythm section, and personal lyrics that ain’t too proud to admit to the temporariness of it all.


Episodes

January 14, 2025

Orca Dork: “Sleepy Pilot”

Time to dust off the ol’ Audiosurf game from your college days and get ready for your newest beat-driven meditation. Brother’s Franklin and Graham Pittman are Orca Dork, an Austin-based experimental instrumental duo who have spent the last ten years working on their debut, hip-hop inspired album Experiments With Found Objects. And yes, it can […]

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January 13, 2025

DAYEATER: “Between the Otherside” [PREMIERE]

Who says psych-rock can’t come with badass near rock-opera harmonies? Austin’s DAYEATER certainly doesn’t. And throw in some power pop? Honey we are off to the stratosphere courtesy of an 80s He-Man cartoon-style music video. Jesse Lee fronts the trio, pulling off riffs that give two handed-players a run for their money. Lee’s power on […]

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January 10, 2025

Ley Line: “Agua Do Mar”

The ladies of Ley Line are back, baby, and they’re looking forward to bringing us a string of reunion shows this April. To get us excited, they’ve announced their Live at the Pershing EP (out later this month) and gifted us “Agua Do Mar,” their take on the Brazilian folk song “Memorias do Mar,” an […]

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January 9, 2025

Nilsa No One: “Lucid Dream”

Austin-bred songwriter and guitarist Nilsa grew-up in the throws of the local punk and metal scenes, but Nilsa, like the rest of us, contains multitudes, so she’s brought in rhythm section Jesse Maciack and JJ Pereira to become Nilsa No One, blending the rawness from her nurturing with her haunting vocals and emotive contemplations that […]

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January 8, 2025

Schmiddy: “Nebula” (ft. Andyah)

Austin beatmaker Blake Schmidt has released a string of instrumental mixtapes under the moniker Schmiddy for the last three years, all the while working towards something more comprehensive. Schmiddy’s background in composing for short films in college for grades to composing hip-hop tracks for fun has led him to last Friday: the release of Schmiddy’s debut album Lightning […]

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January 7, 2025

Okonski: “October” [PREMIERE]

Okonski is another beautiful project born from the Durand Jones & Indications house with pianist Steve Okonski at the helm with support from fellow Indications Aaron Frazer and Michael Montgomery on drums and bass. Together the trio takes all of the jazz elements of Durand Jones & the Indications and puts them front and center, […]

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December 20, 2024

Kid_Wy: “See About Me”

Well, well, well…we’ve arrived at the last Song of the Day before our brief winter break. But it’s not just the final feature of 2024; it’s also a poignant conclusion to my regular tenure. Yep, after seven long years and 1,725 of these, it’s time for me to step down from Song of the Day […]

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December 19, 2024

Sloppy Scales: “Sweet Baby Jesus”

After spending twelve straight hours in an international airport, I can authoritatively say that we could use a few more new Christmas originals to give all those timeless classics a much needed rest. Seriously. You can rework “Holly Jolly Christmas” into reggae, Western swing, or house, but it doesn’t change the fact that at some […]

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