Song of the Day

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March 6, 2023

Coy O Té: “Never Enough”

By: Jack Anderson

As much as I miss seeing Walker Lukens & The Side Arms dominate marquees and show bills across town year-round, it’s been really neat watching Walker evolve from a frontman of many hats to a straight-up behind-the-scenes producer. In doing so, Walker’s been able to lend his idiosyncratic sense of sonics and production techniques to artists who might not necessarily have the ear to take their own tunes to the next level. Case in point: Austin’s Brett Hammann, better known by his stage name Coy O Té.

Like the eponymous critter sniffing out and snatching a nestled egg from the coop, Coy O Té started creeping up once Hammann dug up a set of demos he recorded in Nashville back in 2015. Rather than let them slip away into the aether, Hammann took those tracks straight to Walker Lukens and engineer Adam Mason to help groom Coy O Te’s coat in 2021, a process that’s led to Coy O Te’s debut EP, Chapter One: Randy’s Tavern, out tomorrow.

True to its title, Chapter One: Randy’s Tavern is an awesome first round of Coy O Té’s groovy western originals. And ahead of a trio performance next Tuesday at Hotel Vegas, today Coy O Te’s extended an invitation to join the pack early with Randy’s Tavern‘s final lead single. Following Walker’ Lukens’s signature formula of noncomplex vocal harmonies, reverb across the board, tasteful auxiliary percussion, and striking effects-drenched solo guitar, Hammann channels Division Bell-era David Gilmour as he questions a seemingly-insatiable canine appetite on “Never Enough”.


Episodes

April 21, 2026

Reyna Tropical & Xiuhtezcatl: “Camino”

Cumbia meets Afro-indigenous rhythms in this one-off from Mexican-American artist and activist Xiuhtezcatl and duo Reyna Tropical. Debuted last month at Vive Latino, one of Latin America’s biggest music festivals, the song “bridges the worlds of Indigenous wisdom, diaspora, community, Queer Love and Afro Mexico and the unity and pathways that these bridges are establishing […]

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April 17, 2026

Club Coma: “You Can Take My Spirit”

Austin’s Club Coma are back, this time with more tricks in their bag and an added touch of fuzzy sweetness, adding Lani Thomison AKA Street Peach to their club mix. The new, absolute banger “You Can Take My Spirit” sees the quartet extending the fazers into experimental territory, adding a little crunch to the beat, […]

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April 16, 2026

Billie Marten: “Feeling” [Live In Studio 1A]

Billie Marten is an English singer-songwriter known for her delicate folk sound, warm finger-picked guitar, and quietly powerful songwriting. In 2025 she released her fifth studio album, Dog Eared, on Fiction Records, expanding her signature folk style with richer arrangements. Marten’s music blends elements of folk, indie, and jazz-tinged pop, creating an intimate and timeless […]

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April 14, 2026

I’MMORTAL: “Floor Siren”

Have you ever needed a dance break in the middle of a Tuesday afternoon? Today’s Song of the Day, “Floor Siren,” transports listeners to the dance floor no matter what day or time it is. New York-based artist I’MMORTAL builds an experimental, deconstructed club sound – similar to contemporaries such as COBRAH and Shygirl – […]

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April 13, 2026

Eyelid Kid: “What Happened”

Born and raised in Austin and now based in L.A. (after a stint in Brooklyn), Eyelid Kid is back with more of that smooth, bedroom pop bop action. Produced by Flora and Fawna’s Mason Ables, “What Happened” is cozy and laid back with a midtempo pulse of drum machine momentum and affixed with lots of […]

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April 9, 2026

Ratboys: “What’s Right?” [Live In Studio 1A]

Formed in 2010, Ratboys began as a humble duo by Notre Dame Freshman Julia Steiner and Dave Sagan. By 2017, they’d become a fully-fledged four-piece, relocated to Chicago, and were opening for acts like Soccer Mommy and Diet Cig with heaps of critical praise to line their nest (I assume all ratboys build little nests […]

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