Song of the Day

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August 14, 2023

CLUB COMA: “Collage”

By: Jack Anderson

If you’re a fan of Boyfrndz, Stiletto Feels, and Ume, chances are you’ll love CLUB COMA. Featuring seasoned veterans from all three, this Austin supergroup-of-sorts builds bops that hop around retro French flourishes, all things rock n roll, and experimental pop. An early recording of that killer combo piqued the interest of Spoon’s Jim Eno, who eventually decided to apply his Midas touch production to CC’s self-titled debut album, and boy is it a beaut.

Released just last weekend, this eponymous eight-track explores a ton of sonic territory, and showcases some incredibly inventive songwriting that’ll lock you in for the not-so-long haul. Safe to say, the seven originals are the star of the show, but we can’t overlook the ingenuity of the clever James Gang interpolation “Collage” that kicks of CLUB COMA‘s final act.

So before you catch CLUB COMA 10:45PM this Thursday at Hotel Vegas alongside openers Megafauna at 10PM and closers The Well at 11:30PM, de-fumigate that weekend brain fog with a hyper-modern jolt of James Gang that may eventually eclipse the ’69 original with its ambitious and auspicious acoustics.


Episodes

August 25, 2026

Jade Bird: “Lottery” [The Hole Story]

The Hole Story is powered by Austin Beerworks British singer-songwriter Jade Bird broke through in the U.S. in 2018 with “Lottery.” In this episode, she looks back at that song with a very different perspective, talks about the relationships and experiences behind her writing, and performs songs including music from her album, Who Wants to Talk […]

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August 24, 2026

Wynonna: “Am I Missing Out”

Country music legend Wynonna Judd is back with her first album in over a decade. On The Hard Truth, she collaborates with artists like Iron & Wine, the War & Treaty, and Patterson Hood. And despite her music never shying away from darker, personal themes, Judd says this new album may be her most honest. […]

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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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