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April 21, 2020

Chicano Batman: “Blank Slate”

By: Jack Anderson

Laying claim to quite possibly the best band name ever, West Coast four-piece Chicano Batman is fully equipped with a diverse utility belt full of talent. Going back to their 2010 eponymous debut, they’ve tapped into ’60s and ’70s psychedelia and effortlessly fused it with Latin overtones. Chicano Batman’s laid-back, keyboard-driven, and effects-heavy style has since evolved to incorporate more of a “clean” indie psych-pop production method akin to Tame Impala, heard most recently on 2017’s Freedom Is Free.

Today Chicano Batman’s shared a first glimpse of their upcoming fourth full-length, Invisible People, out on May Day and once again produced by Leon Michels, whose track record includes work with A$AP Rocky, Lee Fields & the Expressions and Sharon Jones & The Dap-Kings. With the additional help of engineer Shawn Everett (Vampire Weekend, Alabama Shakes, Beck, etc.) on the mix, Invisible People maintains all the elements that we’ve loved about Chicano Batman, and goes on to explore touches of hip-hop, krautrock, international synth-funk, R&B, and prog-rock. You’ll be able to experience these dynamically impressive recordings in full on May 1st, but not before self prescribing Invisible People‘s ’80s-inspired lead single, perfect for a pandemic-riddled world trying to relearn the day-to-day life, “Blank Slate”!



Episodes

September 1, 2025

Grackles: “There Will Be Time”

Well howdy! Happy Labor Day! The weather may or may not be participating in our final romp of summertime, but Austin’s Grackles are here to make the day sunny despite Mother Nature. What began as a side project made up of touring and studio musicians for A-list artists such as the Chicks and Paul Simon […]

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August 28, 2025

Adrian Quesada: “Bravo (ft. iLe)” [Live In Studio 1A]

At this point, Adrian Quesada is a man who needs no introduction. With a musical curiosity rivaling Beck, project to project, he conjures up albums thoughtfully marrying tradition or inspiration to Quesada. On both iterations of the Boleros Psicodélicos albums, Quesada explores the centuries-old, Cuban-rooted tradition of the Bolero, beautiful, dramatic love songs deep with […]

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August 26, 2025

Jane Leo: “Goldmine”

Song of the Day has returned from vacation, and I can’t think of a better way to come back than with my favorite dance-pop group this city has to offer. We’ve been following the rise of Jane Leo since its origins, and since the last time we checked in with the duo, they supported indie […]

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August 14, 2025

Team Trust: “Wuggis”

Team Trust call themselves art rock, which is somewhat fitting, but if we want to be specific, I’d call them quirk-punk. The Austin trio sounds a bit like Being Dead and your cool, Gen-X brother’s punk demos he recorded at home the summer before they wound-up on tour with Black Flag, opting for a rotisserie […]

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August 8, 2025

Russell Taine, Jr.: “Sidewinder”

Austin’s Russell Taine, Jr. blends indie rock with an Austin and Texas twist. It’s indie music powered by chords and melodies that you imagine being played at dusk in your cool friend’s backyard with a chain link fence and an oak tree in the background. It sounds like Hole In the Wall. Their latest single […]

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August 7, 2025

Tear Dungeon: “Kill For Health” [Live In Studio 1A]

Andrew Chasen. With the Disciples of Creation, he takes you to church. With A Giant Dog, he takes you church. Sweet Spirit makes you want to dance the night away, and Tear Dungeon drags you to the basement, ties you to the St. Andrew’s Cross, and says flogging and bastinado are for the faint of […]

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August 6, 2025

Jack Greenwood: “Four Walls”

Jack Greenwood’s new single is dance music for sad lads. On “Four Walls,” a song about feeling trapped, the Austin-by-way-of-Wisconsin singer and producer presents a fantastical escape, evoking the moodier side of the 80s synth. The opposing dichotomy works well here; what begins with sunny textures and a fun, melodic bass spirals into a manic […]

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August 4, 2025

Mae Powell: “Contact High”

Bay Area singer-songwriter Mae Powell‘s debut album on Karma Chief Records, Making Room for the Light, serves up a West-coast brand of vintage, pastel-colored, jazz-meets-indie-pop beauty akin to Atlanta’s Faye Webster. Her latest single “Contact High” has origins in conversations with Powell’s elderly neighbor about a song with the spirit of being high socially, but […]

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