Song of the Day

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December 18, 2019

Buffalo Hunt: “Apple Tree”

By: Jack Anderson

The name “Stephanie Hunt” might not warrant an immediate reaction for some folks, but a cursory review over a couple of her associations lets you know right off the bat that she’s nobody to overlook. Screen junkies will certainly recognize Hunt from her time on NBC’s Friday Night Lights, Fox’s Glee, and her many appearances on several major network sitcoms and in indie films, but these impressive credits are continually eclipsed by Hunt’s longer-standing musical talents. After a violin-laden childhood and an adolescent interest in original songwriting, Hunt teamed up with Alex Maas and Christian Bland of Black Angels to form experimental psych-rock’s The Ghost Songs before moving on as one half of punk duo Nancy And Beth, alongside Megan Mullally.

Now engaged to Shakey Graves, Hunt has taken a respite from her busy L.A. production schedule to ease into her new solo psych project, Buffalo Hunt. Buffalo Hunt’s debut offering, Play the Fool, comes out next Summer, featuring collaborations with Shakey Graves and The Texas Gentleman and this Doug Sahm-inspired introductory single, “Apple Tree”!



Episodes

August 25, 2026

Jade Bird: “Lottery” [The Hole Story]

The Hole Story is powered by Austin Beerworks British singer-songwriter Jade Bird broke through in the U.S. in 2018 with “Lottery.” In this episode, she looks back at that song with a very different perspective, talks about the relationships and experiences behind her writing, and performs songs including music from her album, Who Wants to Talk […]

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August 24, 2026

Wynonna: “Am I Missing Out”

Country music legend Wynonna Judd is back with her first album in over a decade. On The Hard Truth, she collaborates with artists like Iron & Wine, the War & Treaty, and Patterson Hood. And despite her music never shying away from darker, personal themes, Judd says this new album may be her most honest. […]

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August 20, 2026

Oreaganomics: “I used to call Mary”

Hi you have reached Song of the day please hit one to hear the rest of this feature… Just kidding, but this next song discusses the frustration of making a call only to find a robot on the other side. While Oreaganomics is neither a spice nor an economic policy from the 80’s, they do […]

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August 19, 2026

BS: “f1”

Austin’s BS comes in hot with “f1,” a fast-moving track that lives up to its name. Built on propulsive drums and sharp, forward-leaning production, the song feels like it’s constantly accelerating, carrying a restless energy from start to finish. It’s a short, sharp burst of momentum that doesn’t waste much time getting where it’s going. […]

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August 18, 2026

Ramesh Srivastava: “The Times” [The Hole Story]

mid-2000s, as music blogs and MP3s were changing how people found new music, Austin’s Voxtrot became one of the most talked about indie bands with a wave of attention that reached far beyond Austin, all before the band released its first full-length. After Voxtrot broke-up in 2010, frontman and songwriter Ramesh Srivastava went on to […]

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August 17, 2026

Elka: “Husk”

The latest installment in Jim Eno’s Project Traction mentorship program (whose mission is to create a more gender inclusive audio production and engineering industry), comes from Fort Collins, Colorado. Songwriter Elka gives us “Husk”: a deeply intimate and reflective indie-pop track rooted in grief and dressed in effortless elegance courtesy of Project Traction member (and […]

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August 14, 2026

A Band Called Ma: “SALT”

Releasing their self-titled debut album today, Austin’s A Band Called Ma is giving us our daily dose of nostalgia through the 90s-inspired rhythm guitar and abstract lyricism featured in their single “SALT.” This track was the last single released for the album, acting as the final taste of what’s to come from their self-produced and […]

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August 13, 2026

Dom Francis: “Alligator Rain”

Austin’s Dom Francis brings a hazy, rain-soaked feel to “Alligator Rain,” pairing a laid-back groove with a sound that feels a little strange in the best way. There’s a looseness to the track that lets the instrumentation breathe, while Francis’ vocals keep things grounded. It’s an easygoing listen with a little mystery around the edges.

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